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| Madame X (Countess Anna-Elizabeth de Noailles), ca. 1907, marble, Auguste Rodin |
As an added bonus, we also got to see the Museum’s renowned collection of François Auguste René Rodin sculptures and a new rotation of works in the Neoclassicism, Romanticism and Barbizon school galleries, which boasts the largest group of paintings (25 as of this writing) by Jean-Baptiste-Camille Corot after the French national collections in Paris.
See part 1
Highlights from the Rodin, Neoclassicism, Romanticism and Barbizon School Galleries
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| (L) Orpheus and Eurydice, modeled ca. 1887, carved 1893, marble, Auguste Rodin. (R) The Thinker, modeled ca. 1880, cast ca. 1910, bronze, Auguste Rodin |
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| Eternal Spring, modeled ca. 1881, carved 1907, marble, Auguste Rodin |
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| (L) Adam, modeled 1880 or 1881, cast 1910, bronze, Auguste Rodin. (R) Eve, modeled 1881, cast 1910, bronze, Auguste Rodin |
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| (L) Pygmalion and Galatea, ca. 1890, oil on canvas, Jean-Léon Gérôme. (R) Graziella, 1879, oil on canvas, Jules-Joseph Lefebvre |
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| The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857, oil on canvas, Camille Corot |
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| Bacchante by the Sea, 1865, oil on wood, Camille Corot |
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| Bacchante in a Landscape, 1865-70, oil on canvas, Camille Corot |
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| (L) The Letter, ca. 1865, oil on wood, Camille Corot. (R) A Woman Reading, 1869 and 1879, oil on canvas, Camille Corot |
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| Boatman among the Reeds, ca. 1865, oil on canvas, Camille Corot |
First Friday of Lent
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| Portable Stations of the Cross and The Way of the Cross as composed by St. Alphonsus Liguori |














