July 31, 2025

A Bridge Across the Sea: Congratulations to John Viola on the “Children of the Sea” Award

L-R: Silvana Mangione, John Viola, Germana Valentini, and Patrick O'Boyle
I would like to take a moment to offer my heartfelt congratulations to my dear friend John Viola, who was honored on Wednesday afternoon with the Children of the Sea Award—an accolade as meaningful as it is beautiful.

The award was presented during 
Figli del Mare award by Dante Mortet
"Children of the Sea: The Legacy," a moving event broadcast live from
 Red Sauce Studio in Little Italy, New York, and Naples, Italy. More than just a ceremony, it was a celebration of identity, belonging, and the enduring legacy of Italian migration and its living descendants. With moving testimonies from Italian Americans across generations, and the participation of Don Luigi from Saint Patrick’s Cathedral, the evening traced a powerful arc from the shores of departure to the streets of new beginnings.


The Children of the Sea AwardFigli del Mare—is a tribute to the millions of Italian emigrants who, sailing from the port of Naples, traced the route toward a new life in America. It is a recognition not only of individual merit, but of a collective journey—a bridge between two cities.

The award, crafted by internationally renowned sculptor Dante Mortet, was born from an idea by TV author and writer Germana Valentini and Laura Valente, artistic director of the Naples 2500 celebrations. The event was part of the "Al Faro" Festival, a livestream staged directly from Molo San Vincenzo, the historic dock in the port of Naples from which countless ships once departed for the United States.
Painting of a ship ticket superimposed over
the Bay of Naples by Lorenzo Mortet
At that very port, a powerful ritual once unfolded: as migrants departed, a loved one would hold one end of a ball of yarn while the ship slowly pulled away, the thread unspooling across the widening water. The thread would remain taut until it snapped—marking the painful severance of physical ties, while preserving the invisible bond of the heart. As the ship faded into the distance, the last images were often of San Gennaro and Mount Vesuvius, guardians of a beloved land left behind.

This tradition of the thread was movingly commemorated during the “Al Faro” Festival through a choreography conceived by Germana Valentini and performed in front of Castel Clinton in New York by dancer Elodie Fraga. The golden thread, used in the performance, was specially crafted by Dante Mortet. And it was with this very symbolic thread that, following the presentation of the Figli del Mare award, John Viola and Patrick O'Boyle stitched together two paintings by Lorenzo Mortet—one representing Naples, the other New York.
Painting of a ship ticket superimposed over the
New York City skyline by Lorenzo Mortet

Crafted with artistry and deep emotion, the award itself takes the form of an ancient ship ticket, rolled and shaped like a cartoccio—a paper cone from Italian culinary tradition. But instead of food, it holds something far more enduring: ideals, dreams, and sacrifices. It is the poetic embodiment of a journey that is not only geographical, but also spiritual.

The sculpture rests on a sea-blue base, representing that vast ocean threshold between old world and new—not as a divide, but as a connection. At its peak, a dove takes flight: a symbol of peace, purity, and the Holy Spirit, watching over those who once crossed, and those who inherit their courage.

That John received this honor is no surprise to anyone who knows him. His story, his work, his quiet strength—he embodies what it means to honor one’s roots while planting new ones.

John, your journey inspires. You remind us that heritage is not just something we inherit—it’s something we live, cherish, and pass on.

Bravo, my friend. This honor is richly deserved.

July 30, 2025

Our Blood Sold: A Blistering Indictment Based on Documentation, Not Nostalgia

“The problem we must solve is this: to help the revolution, but make it appear before Europe as a spontaneous act.” ~ Camillo Benso, Count of Cavour [1]

Enrico Fagnano’s Il nostro sangue venduto (Our Blood Sold) is a thorough and relentless exposé of betrayal, built not on speculation but on diaries, letters, and government records, including many authored by the very men who orchestrated the dismantling of the Kingdom of the Two Sicilies. Unearthing uncomfortable truths from both Neapolitan and Piedmontese archives, Fagnano names names and cites sources. Admirals, generals, and even royal advisors emerge as compromised figures, not through sweeping claims but through their own words and their own accounts. The weight of evidence is both sobering and devastating.

“No one esteems and appreciates Garibaldi’s character and certain qualities more than I do; but when an army of 60,000 men is defeated, a kingdom of six million conquered, with the loss of eight men [the figures are obviously and intentionally fanciful], one should think that something unusual is going on—something not found everywhere—and not believe oneself therefore master of the globe.”[2]

Having done his homework, Fagnano does not call for blind loyalty to the Southern cause; he insists that history stop ignoring what actually happened. He presents a pattern of military betrayal, political bribery, and calculated surrender that extends beyond the battlefield and deep into the bureaucratic machinery of the new Italian state. “Numerous are the traces of the money that literally flowed in rivers,” he writes, “to buy over the subjects of the Bourbons and bring them to the side of the invaders.” This financial corruption (and moral bankruptcy), meticulously documented through archival evidence, becomes one of the central pillars of Fagnano’s indictment.

“Garibaldi’s exploits in the Two Sicilies have seemed so strange that his admirers have called them prodigious. A handful of young men led by a daring man defeats armies, takes cities by storm in a matter of weeks, seizes a kingdom of nine million inhabitants—and all this without ships and without weapons: never mind veni, vidi, vici! No Caesar compares to Garibaldi. And yet the miracles weren’t performed by him, but by the great General Nunziante and the other army officers who, to the eternal shame of the Neapolitan army, deserted their flag to rally under the enemy’s.” [3]

Despite the provocative title, the work does not wallow in self-pity or regional victimhood. It is a call for historical accountability, directed just as much at the South itself as at those who wronged it.

“If in the events of Sicily and Calabria Garibaldi at times saw the Neapolitan phalanx retreat before him, he never imagined this was due to any magical force attributed to him, nor the much-celebrated valor of the Thousand of Marsala. He saw and knew full well that it was the effect of the gold he lavished on a few army chiefs—shame of humanity—who, like modern Iscariots, for a handful of gold, sold the lives, blood, and honor of thousands of soldiers blindly entrusted to them.” [4]

Garibaldi, the so-called “Hero of Two Worlds,” knew he didn’t need military brilliance when betrayal had already cleared his path.

"He knew perfectly well that a thousand cannot defeat a hundred thousand, just as one cannot defeat a hundred.” [5]

For readers unfamiliar with what some have called the “other Risorgimento,” this text is an honest and unflinching introduction. For those already involved in these debates, it is a significant contribution. And for anyone who believes history should be faced honestly, with all its ugly facts included, Fagnano’s work is not just valuable—it is essential.


~ By Giovanni di Napoli, July 29th, Feast of San Lupo di Troyes


* Translations are my own.


Notes

[1] Camillo Benso, Count of Cavour, in a letter sent on August 9, 1860 to Admiral Persano, recorded in the Private Diary.

[2] Massimo D’Azeglio, in a letter written to jurist Michelangelo Castelli (September 17th), later published in his Political Correspondence, edited by Luigi Chiaia, Roux, 1891).

[3] The Believed Miracle of Garibaldi, published anonymously on September 13, 1860, in the Turin newspaper Piemonte.

[4] Luigi Gaeta, in his military memoir, Nine Months in Messina (Luongo Press, 1862).

[5] Ibid.


The books by Enrico Fagnano, Gli Anni Impossibili, Il piemontesismo e la burocrazia in Italia dopo l’Unità, and La storia dell’Unità d’Italia are available at the Bottega2Sicilie website.

July 29, 2025

Photo of the Week: Ivory Writing Box

Ivory Writing Box, South Italian, Amalfi, carved about 1100,
Metropolitan Museum of Art. Photo by New York Scugnizzo

July 26, 2025

Review of “La strage di Fagnano Castello (la Pontelandolfo Calabrese)”

Colonel Pietro Fumel
This powerful and impassioned article, posted earlier this month at altaterradilavoro.com (originally published at unpopolodistrutto.com in 2019), is a striking example of revisionist narrative that challenges the sanitized and selective accounts of Italian unification often taught in official histories.

Graphically recounting the story of the forgotten victims of the 1863 massacre at Fagnano Castello in Calabria, the author (in an unbroken block of text) presents the tragedy as representative of the repression, humiliation, and cultural erasure inflicted on the Duosiciliano people during and after the Risorgimento.

The invading Savoyard or neo-Italian army, in its attempt to suppress anyone who did not willingly accept the invasion and Italian oppression, decided to quell the uprisings of entire cities whose populations had dared to rebel against the abuse and arrogance of the conquering soldiers, and the fiscal oppression of the newly installed Italian politicians, already thoroughly scoundrels. Thus, they gave free rein to their basest instincts against defenseless populations with decapitations, torture, human burnings, and everything else that the imagination of these "heroes" could devise was turned into reality, giving rise to one of the countless inglorious chapters of the Italian army, incapable of defeating the strong and arrogant and brutal toward the weak. A chapter that historians stubbornly call the "Risorgimento," in hopeful expectation of a day when Italy, "defenseless, divided, humiliated, unfree, and powerless," would be reborn "virtuous, magnanimous, free, and united,"—but which, to this day, it still is not. The true history was censored not out of shame, but out of fear that Europe would discover that what was called a "war against brigandage" was nothing more than a dirty war of conquest, fought not against an equally armed army, but against an army of ragged peasants who only wished to defend what was theirs. Let us remember that even today, the army prohibits public access to its historical archives. It was a true and proper genocide, carried out under precise orders and committed against the peoples of southern Italy.

Refusing to pull punches or obscure the brutality, the article describes in horrifying detail the violent methods (executions, beheadings, and public terror) used by the invading Piedmontese forces, with special attention given to the bloodthirsty Swiss-born Colonel Pietro Fumel (1821–1886).

Following the disastrous unification of Italy, there arose a violent response from the people to the military occupation of the Kingdom, as everyone realized that the situation had drastically worsened. The invading army responded with its worst men, "the butchers," such as Col. Pietro Fumel, who was sent to Calabria (in the province of Cosenza) to suppress "brigandage." The repression carried out by Fumel was merciless, for he employed the most extreme methods to eliminate the partisans of the Two Sicilies, resorting to torture and terror without distinguishing between "brigands" and their supposed ‘supporters,’ and with complete disregard for even the most minimal legal or human guarantees. He decimated the bands of Palma, Schipani, Ferrigno, Morrone, Franzese, Rosacozza, Molinari, Bellusci, and Pinnolo. The executions ordered by Fumel took place in public squares and along roadsides. The victims were decapitated, and their heads impaled as warnings to those who supported or joined the “brigand bands.” Other corpses were thrown into rivers. In Cirò, on February 12, 1862, Fumel issued a proclamation on the resolution of the brigandage problem: “I, the undersigned, having been tasked with destroying brigandage, promise a reward of one hundred lire for every brigand, dead or alive, brought to me. This reward will be given to any brigand who kills a comrade; his life will also be spared. Those who, in defiance of orders, offer refuge or any other means of subsistence or aid to the brigands, or who, having seen them or knowing their hiding place, do not inform the troops and the civil and military authorities, will be immediately executed by firing squad. All uninhabited rural huts must be unroofed and their entrances bricked up within three days. It is forbidden to transport bread or other provisions beyond municipal residences, and anyone disobeying this order will be considered a brigand accomplice.”

The article also denounces the public honors later bestowed on Fumel despite international outrage:

Fumel’s brutal methods aroused the indignation of European public opinion, and, pushed mainly by protests from both the Italian and British parliaments, the government eventually decided to remove him from office. Victor Emmanuel II, another coarse butcher, defended Fumel’s actions and awarded him the silver medal for military valor. But far more serious was the gratitude of the turncoat southern liberals, who granted him honorary citizenship in three Calabrian towns: Roseto Capo Spulico and Amendolara in 1862, and San Marco Argentano in 1863. Fumel later stayed in Rome, hoping to be appointed senator for life by the Savoyard sovereign, but the devil, three years after the massacre, summoned him to join his most loyal collaborators, and he died before he could hope to receive the appointment.

The pairing of Fagnano with Pontelandolfo (as noted in the title) is particularly impactful because the latter is a more universally recognized site of repression following unification. It also makes clear that these were not isolated incidents. Part of a broader campaign of conquest and colonization, Southern identity, language, and autonomy were systematically dismantled by a new ruling elite often ignorant of or hostile to the South.

And yet, these soldiers, their monarchs, and their politicians—many of whom did not even know the rest of the Peninsula and spoke almost exclusively in French—are still spoken of as liberators of the southern people from oppression, or as Italian patriots concerned with the fate of their southern "brothers" under the foreign yoke of the Bourbons, who were themselves almost all born in Naples and who, in addition to Italian, had always spoken Neapolitan fluently.

More than blind regionalism, the article offers a compelling appeal to historical memory. Not only does it recount the past, it also urges readers to confront and recognize its consequences, from mass emigration to lasting cultural alienation. Evocative, impassioned, and at times raw, it directly challenges the historically biased Northern narrative of Italian unity.

The echo of this edict reached even London, where Member of Parliament Lord Alexander Baillie-Cochrane declared that "a more infamous proclamation had never dishonored the worst days of the Reign of Terror in France." Even his closest collaborator, Officer Auguste de Rivarol, was appalled by Fumel’s actions, to the point of recording his thoughts on the colonel’s atrocities in his memoir Nota storica sulla Calabria. Deputy Giuseppe Ricciardi stated before Parliament on April 18, 1863: "This Colonel Fumel boasts of having had about three hundred people shot—brigands and non-brigands alike." Even the Garibaldian butcher of Bronte, Nino Bixio, admitted: "A system of blood has been inaugurated in Southern Italy," and many other army commanders distanced themselves from Fumel’s decisions. But he came most prominently (and infamously) into the public eye in the winter of 1863 due to the execution of around one hundred citizens of Fagnano Castello deemed brigands by the armed forces. Were they all brigands? Certainly, many were defenseless poor peasants; of the 27 citizens officially recorded as executed, death certificates have been found showing they included respected figures of the Fagnanese community, such as a former mayor and notary, as well as a few landowners. Yet the dreaded Colonel Fumel also served another function, indirect but no less significant: through his fierce and undeniably effective repression of "brigands" and their "supporters," he certainly helped swell the migratory tide from the Two Sicilies—crushed by poverty, occupation, and fear (informants, betrayals, brutal police actions, and general hostility and dread toward that remote yet ever-threatening entity, the new Savoyard government)—to the Americas.

Blending lamentation with fierce indictment, this account will undoubtedly prove jarring for the faint of heart, particularly effete bourgeois academics and ideologues. Seeking to rouse readers from passive indifference, it brings long-suppressed memories and injustice to the fore.

In Fagnano Castello in 1863, one hundred people were massacred in a single day. More than 152 years later, on August 16, 2015, Fagnano commemorated the victims of that absurd Piedmontese barbarity with a plaque in their honor, in the hope that it might at least bring some solace to those poor souls. Now that we know our history, we have a moral and identity-bound duty to fight to restore our connection to our homeland—an identity that was torn, dismembered, and dishonored the moment the Garibaldian and Savoyard invasion occurred.

In sum, La strage di Fagnano Castello is a valuable contribution to the growing body of literature seeking to recover the suppressed stories of Southern Italy. Both a historical reckoning and a moral appeal, it is an urgent call to remember, reflect, and rebuild a sense of identity torn apart by bayonets, lies, and indifference. A must-read for anyone interested in post-unification history, subaltern memory, and the long shadows of state violence.


~ By Giovanni di Napoli, July 25th, Feast of San Giacomo Apostolo


* Translations are my own

July 23, 2025

Restoring Meaning: An Introduction to “Reazionario o conservatore?” by Gianandrea de Antonellis

In his essay Reazionario o conservatore?, Gianandrea de Antonellis offers a thought-provoking meditation on political terminology too often conflated, whether deliberately or carelessly, in modern discourse. It will serve as the preface to the forthcoming edition of historian Francesco Leoni’s seminal 1972 work, Il pensiero controrivoluzionario nella storia d’Italia (Counterrevolutionary Thought in the History of Italy), soon to be published by Solfanelli (Chieti). Given how frequently terms like “reactionary,” "counter-revolutionary," "traditionalist," and “conservative” are used interchangeably, I thought it worthwhile to make this essay accessible to English-speaking readers. Far from a pedantic exercise in semantics, de Antonellis’s reflection seeks to restore clarity and precision to a language increasingly blurred by ideological convenience.

In part one—Metodologia della rivoluzione (The Methodology of Revolution)—de Antonellis presents a concise critique of modern perceptions of “revolution,” arguing that the term has shifted from denoting the radical destruction of tradition to being equated with positive innovation, thus masking its inherently nihilistic method of erasing the past to rebuild from nothing.

“The shift of the concept of revolution from the political sphere (thus especially confined to historiography) to the artistic and technological realm (extended to the world of everyday objects) has led to a transformation of the perception of the adjective revolutionary in a positive sense—and consequently, of the noun it derives from. It is no longer associated with the radical upheaval of the traditional order, but rather with innovation, implying an intrinsic improvement in the object in question: revolutionary novelty, which once referred to the alteration of the status quo (obviously for the worse), now denotes changes that are a priori understood as improvements.

 

“In reality, the concept of revolution—regardless of the goals it proposes or the results it achieves—is, methodologically speaking, intrinsically linked to the will to make a tabula rasa and begin ex nihilo, that is, to destroy everything that exists and rebuild from scratch, even going so far as to start with the calendar. This stands in contrast to the modus operandi, for example, of sound scientific research, in which innovations are grafted onto previous investigations with a typically traditionalist methodology: taking the best of the past and seeking to improve it further.”

Then, in principio era l’Ordine (In the Beginning Was Order)—a powerful critique of the Revolution as disorder opposed to a primordial order—the author argues that true counterrevolution seeks restoration, not compromise, yet often fails by preserving revolutionary effects.

“And who fights against the revolution? One often hears the phrase ‘Revolution and Counterrevolution,’ always stated in that sequence, which is correct but incomplete. Indeed, chronologically (and logically) speaking, the Revolution is not an initial stage but a subsequent one, opposing a pre-existing state of Order (the kosmos). Unlike what Greek myths suggest (‘In the beginning was Chaos’), our culture begins history with an opposing concept: ‘In the beginning was Order,’ the Kosmos, or, in evangelical terms, the Logos (‘ἐν ἀρχῇ ἦν ὁ λόγος,’ reads the prologue or initium Evangelii secundum Ioannem, traditionally read at the end of every Mass in its Latin version).


“Order, therefore, always precedes Revolution (i.e., Disorder). Counterrevolution (that is, ‘the opposite of Revolution and not a contrary Revolution,’ to quote Joseph de Maistre) follows Revolution both chronologically and logically, yet it postulates nothing other than a ‘return to Order.’


“This latter element—Counterrevolution—is almost a natural aspect of the quest for Order and the consequent rejection of Chaos. Indeed, wherever (or nearly wherever) the Revolution has sought (often quite successfully) to destroy Order, there has also been an attempt to return to the initial status: from the classical dramatic structure of restorative resolution to the various Insurrections (against Jacobinism, Napoleonism, Bolshevism, etc.), a spontaneous attempt to reestablish the primordial model follows any disruption of the original (if only relatively greater) peace.


“Thus, instead of the dichotomy ‘Revolution–Counterrevolution,’ we should speak of ‘Order–Revolution,’ or better yet, of the triad ‘Order–Revolution–Counterrevolution’ or ‘Order–Revolution–Anti-revolution.’


“This triad, however, is not to be confused with the Hegelian one of thesis–antithesis–synthesis, in which an element generates its opposite and finally reconciles with it. No such compromise (i.e., no synthesis) can exist between Order and Revolution. The Hegelian synthesis is evolutionary—it aims to produce a development (A–B–C); anti-revolution, instead, is restorative—it aims to return to the origins (A–B–A). For this reason, the so-called ‘Restoration’ of 1815 is nothing but a conservative synthesis of most of the effects of the French Revolution and the ensuing Napoleonic occupation.


“It must be acknowledged, moreover, that anti-revolution—historically speaking—has almost always (if not always) failed. Instead of realizing a return to the original state (A–B–A), counterrevolutionary movements (from the Vendée to the Cruzada) have at best managed to moderate and limit the effects of the revolution and often even conserve them (that is, A–B–C, if not A–B–B♭ [flat or diminished], or even just A–B–B, thus always retaining the revolutionary effect, only somewhat diluted—or crystallizing it by halting further development, but not reversing it).


“Naturally, in this case, we are referring to the results achieved by the counterrevolutionary struggle, undertaken in good faith to restore Order—not to the objectives of bad faith political strategies pursued by the moderate and conservative parties to whom the Carlist philosopher Jaime Balmes (1810–1848) referred in his famous aphorism: ‘The conservative party preserves the effects of the Revolution; the moderate party merely moderates its impulses.’


“The Revolution’s success is due to the fact that it functions like a highly trained and specialized army, in which the vanguard (the progressives) identifies the objectives, the center (the reformists) conquers the initial positions, and while it continues its advance, the rearguard (the conservatives, precisely) consolidates them—convincing their followers that it’s better to stay put rather than try to go back, lest a fracture be created, and that to preserve social peace, the ‘lesser evil’ must be accepted. Since the army of the Revolution always moves in the direction of the worse, today’s ‘greater evil becomes tomorrow’s ‘lesser evil.’


“On the subject of the lesser evil theory—particularly popular during every electoral campaign—it is worth noting that among supposedly traditionalist (but in reality nostalgic-conservative) circles, the idea has recently gained traction that a return to the recent past should be considered positive, since that past is often objectively better than the present. However, they fail to realize that the same recent past is the remote or even direct cause of the current situation. Certainly, in a moment of motus in fine velocior, the period just past may appear preferable to the present, but one must understand that postulating a return to the immediate past does not constitute a solution. On the contrary, it risks being a grave miscalculation: confusing cause with cure, mistaking the source of the present malaise for a possible remedy.


“Perhaps the concept is better understood with the following metaphor. The Revolution is a spear: what wounds is certainly the tip, but the metal point itself would not be so dangerous—being shorter than a dagger and less maneuverable than a simple knife—were it not connected to the wooden shaft. And this shaft is the result of the accretion of past errors, of their gradual sedimentation. In other words, it is the present that wounds, but it is the past that gives it the strength to do so.”

Next, in Rivoluzione e reazione (Revolution and Reaction), de Antonellis expands on the critique of reactionary, fascist, and conservative movements as pseudo-counterrevolutionary, showing that most operated within the framework of modern revolutionary thought, unlike true anti-revolution, which restores divine order.

“One term often used to indicate anti-revolution (generally pejoratively by revolutionaries) is reaction. Etymologically speaking, it merely denotes a movement contrary to the revolutionary one, but not necessarily in the direction of a total return to origins (i.e., anti-revolution). Indeed, there can also exist an ‘extremist revolutionary reaction,’ anti-moderate, which rejects any tempering of the Revolution.


“In general, however, the term reactionary, while not synonymous with traditionalist, comes closer to the concept of anti-revolution than does conservative, which—whether consciously or not—is a tool of the Revolution, as seen in the earlier army metaphor.


“Moreover, certain twentieth-century movements that appeared counterrevolutionary (perhaps because they emerged in opposition to the excesses of the Bolshevik revolution) actually stemmed from the same revolutionary mindset, albeit in a more moderate form (here again we must recall the aforementioned warning of Balmes).


“Even the various forms of European fascism considered themselves revolutionary: Italian Fascism openly spoke of a ‘Fascist Revolution’ and referred to itself as the ‘Second Risorgimento,’ thus presenting itself as the heir of the ‘Italian Revolution.’ This is not merely a matter of semantics: the roots of fascism are not traditional but modern, given that many of its leaders and ideologues came from activist left-wing movements, secret societies (including Freemasonry), secularist cultures, or from false traditions fabricated at the desk—first among them the neopaganism particularly evident in Nazi Germany’s mythopoetic rituals, such as torchlight processions held during specific solar calendar events.


“Whether it was in fact anti-Christian (as in German National Socialism), indifferentist or opportunist (as with Italian Fascism or Hungary’s Arrow Cross), apparently or openly Catholic (as with Spanish Falangism, Belgian Rexism, or the Irish Blueshirts), or simply Christian (like Romania’s Iron Guard), the ideology of twentieth-century fascist movements—heirs to Hegelianism and existentialism—operated within the framework of the Revolution (and of Modernity), accepting its principles, and placing either race (Nazism) or the State (Italian Fascism) above all else, rather than God, as is done by Carlism—the highest expression of Catholic political doctrine.”

And finally, in Rivoluzione e Ordine (Revolution and Order), de Antonellis offers a forceful condemnation of the Revolution as inherently anti-Christian and evil, arguing that its horrors—like the Terror or the Final Solution—are not corruptions but necessary outcomes of its principles, which must be rejected absolutely.

“We have already seen how the Revolution—with a capital R, stretching (at least so far) from Humanism to Transhumanism—stands in opposition to Order. What must be understood by Order is nothing other than the natural and Christian order, born from the fusion of the highest Greco-Roman culture with the principles of Christianity.


“The Revolution, therefore, is inherently anti-Christian, even when it pretends not to be. It is always a malum, and must always be rejected, as it is in constant warfare against Christendom—whether major, minor, or minimal—and the natural order (or what remains of it).


“Thus, it is necessarily an evil and always an enemy. Consequently, there is no such thing as a ‘good’ revolution, whose negative fruits are merely unintended consequences or unwanted degenerations. The Terror—Jacobin or Stalinist—is not a mere degeneration of the French or Bolshevik Revolutions, which, under this distorted view, were at first positive (if not outright ‘necessary’) and only later became corrupted due to the wickedness of some of their leaders. Rather, the Terror is the natural consequence of Revolution, a truly ‘necessary’ phase; just as the concentration camps or the ‘Final Solution’ are not mere ‘errors along the way,’ but the logical conclusion of a racist and eugenicist mindset present from the very beginning in those who forged the ideology from which National Socialism was born (e.g., the Thule Society, itself ‘indebted’ to the Theosophical Society).


“Jacobin and Stalinist terrors, or the various ‘final solutions,’ are merely a few examples of the necessary consequences of revolutionary principles: the cases are (unfortunately) numerous and (again, unfortunately) not limited to the past.


“To respond to the ‘justificationists,’ let us recall the words of another Carlist thinker, Juan Vázquez de Mella (1861–1928): You cannot crown the causes and then hang the consequences.

~ By Giovanni di Napoli, July 22nd, Feast of Santa Maria Maddalena


* Translations are my own.

New Book — Sicily: Three Thousand Years of Captivating History

A new title that may be of interest to our readers. Available at Amazon.com


Sicily: Three Thousand Years of Captivating History by Sandra Benjamin

Publisher: Steerforth
Publication date: June 3, 2025
Hardcover: $24.95
Language: English
Pages: 512

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July 22, 2025

Happy Birthday S.A.R. Don Sixto Enrique de Borbon

July 22, Birthday of S.A.R. Don Sixto Enrique de Borbon and Bourbon Busset (Pau, 1940), Duke of Aranjuez, Standard Bearer of Tradition.

Born on his mother's name day, Doña Magdalena de Borbón Busset (+1984), Duchess of Parma, last legitimate Queen of Spain.

Depicted in the image next to his august father and predecessor, S.M.C. Don Javier I (+1977).

July 21, 2025

Photo of the Week: Ivory Oliphants

Ivory Oliphants, South Italian, possibly Amalfi, carved about 1100–1200,
Metropolitan Museum of Art. Photo by New York Scugnizzo

July 18, 2025

A Look at the Canonical Coronation and 150th Feast of Our Lady of Mt. Carmel in Hammonton, New Jersey

The air was thick with anticipation as the faithful, standing shoulder to shoulder, packed into St. Joseph’s Church in Hammonton, New Jersey, for the 150th Annual Feast of Our Lady of Mt. Carmel — the longest-running Italian religious festival in the United States.


In the years leading up to the anniversary, the parish had petitioned the Vatican for a rare and profound honor: the Canonical Coronation of Hammonton’s miraculous statue of Our Lady of Mount Carmel. A bold and faithful request — and Rome answered. Earlier this month, the Holy See granted the decree, authorizing the placement of a jeweled crown upon the head of the Christ Child held in Our Lady's arms.


The Mass was concelebrated by Father David Rivera, pastor of Saint Mary of Mount Carmel Parish, and Bishop Joseph Andrew Williams of the Diocese of Camden. Many in the congregation wept — not with sorrow, but with the kind of joy only tradition, grace, and the filial devotion to the Blessed Mother can stir.


Outside the church, the streets of Hammonton were transformed into a festive, fragrant carnival. Thousands gathered for the procession of saints, entertainment (rides, games, music, and more), and an abundance of Southern Italian and local fare — including the famous red roast beef sandwiches, made from thinly sliced crimson round roast, and blueberry cannolis bursting with local fruit.


For one golden day, the Old World and the New knelt together at the feet of Our Lady. Evviva Maria!