Giovanni,The letter raises an interesting tension here, one that has existed throughout history: namely, the relationship between continuity and social ascent. Aristocracies themselves were often formed through exceptional acts of service, loyalty, or ability before becoming hereditary realities. Yet modernity differs in that it tends to universalize striving itself, dissolving permanence into perpetual competition and mobility.
Well stated points in several areas. I agree, as we were raised with those values: legacy, continuity of family, and family history. You hit on the key point, not to confuse circumstance with vocation or calling. Anyone in modernity can move to a new place and can achieve wealth or lose wealth, but tradition, crianza, and cognizance of history and roots remain (or should). The modern argument, which you may hear in response to this article, is that every individual should strive and rise, not just be the best in his class or neighborhood, and in fact, those of us with ancestors who did rise made it possible to have those barons and marquises in the family. One of the big topics in noble circles is the notion of seggi or piazze chiuse, i.e., cities and towns where no new families could be aggregated into the closed seats of power or councils, and the strict enforcement of endogamy. Modern democratic thinking hates the idea of closing the door "arbitrarily" after somebody else got in. But if all classes move to the middle class, both from above and from below, there are no role models to emulate. If we are all individuals, not moving ahead in our lane, but constantly outside our lane, there is nobody to look to. Everyone is torn between serving by doing well in their station and trying to compete/dominate in the market because of the "prosperity gospel".
I love that you cited the example of Masaniello as a legitimist leader who turned power back over and did not seek personal gain when he could have abused the circumstances. He is often portrayed falsely as a zany revolutionary, like a proto-leftist, even. Your last paragraph sums it up perfectly. Anyway, I wouldn't change anything. Not sure if you want to expand based upon any of the above. I like that you quoted the proverb, variants of which I've heard: 'a lira fa 'o ricco, 'a crianza fa 'o signore/ 'e renare fanno 'o ricco, ma 'a crianza fa 'o signore, etc.
May 28, 2026
A Letter on Continuity and Calling
Not generally inclined to publish private correspondence, and already burdened with more work than time allows, I hesitate to encourage too many missives. Nevertheless, with the author's permission, I thought it worthwhile to share an excerpt from a thoughtful and intelligent letter we received regarding A Modern Man, Bound by Tradition (Il Regno, May 27, 2026).
May 27, 2026
Congratulations to Maestro Alberto Sant’Elia on Il Tramonto Mi Riempie di Nostalgia
Congratulations to Maestro Alberto Sant’Elia on the publication of his seventh book, Il Tramonto mi riempie di nostalgia, continuing his collaboration with Edizioni Reginè. This month, he will present the volume at the XXXVIII Torino International Book Fair.
Sant’Elia began his literary career in 2012 with Dentro la mia vita, followed by Gli uni e gli altri in 2015 and Il cancello di ferro battuto in 2020, works that together form a kind of literary trilogy. Throughout these writings, he has earned recognition for a cultivated contemporary napoletanità joined to a broader universal sensibility.
In Dentro la mia vita, readers encounter Vittorio, a choreographer who directs a ballet company. The novel draws the reader into the little-known world of historic dance, often regarded as exclusive and distant from popular taste. Beneath this artistic setting unfolds Vittorio’s hidden existence, marked by solitude, mystery, and involuntary isolation.
Gli uni e gli altri centers on three solitary figures: Vittorio, Eddy, and Susanna. Vittorio is restless and searching; during a stay in Naples, he seeks answers to unresolved questions within himself. Eddy, a cultivated bookseller, devotes himself to his work with quiet discipline, while Susanna appears as an elusive and enigmatic presence. Their lives converge in the great Parthenopean city amid the almost magical atmosphere surrounding an ancient bookstore.
In Il cancello di ferro battuto, Vittorio recounts his life through continual movements between past and present, creating a kind of social and generational photomontage. His reflections span childhood memories, youthful experiences in the Italy of the 1960s and 1970s, the promises and transformations of postwar prosperity, and the artistic and human searches that accompany him into the present day.
Born in Naples in 1957, Sant’Elia has long distinguished himself as an eclectic dancer, choreographer, and teacher of classical and modern dance. Since 1980, he has performed with many of the great Italian opera and ballet institutions, including the Teatro di San Carlo, the Opera di Roma, the Teatro Comunale di Bologna, and the Teatro Regio di Torino, among others.
In 1982, he joined the RAI dance troupe for the celebrated Saturday evening program Fantastico 3 alongside Raffaella Carrà, with choreography by Sergio Japino. The following year, he appeared in Fantastico 4 with Heather Parisi and choreography by Franco Miseria.
Beginning in 1984, Sant’Elia devoted himself increasingly to choreography, founding the “Espressione Danza” school and later the “Compagnia di Balletto,” through which he staged many of his own productions. In 2002, he served as choreographer for the well-known RAI 3 Neapolitan television series Un posto al sole. He has also worked in cinema as both a screenwriter and director of short films presented at various festivals.
Beyond his novels, Sant’Elia is the author of Cappotto d’Inverno, a collection of poems and stories, as well as the children’s books Il Galeone Magnifico and Il Viaggio di Tippi. He has likewise promoted numerous cultural initiatives throughout Campania and supported the work of other authors, including Ester Papa and Angela Santoro in their book and documentary Maronna re le Grazie, an ethnographic study of faith and tradition surrounding the Madonna delle Grazie di Acquavella in the Cilento and Vallo di Diano National Park.
~ By Antonio Isernia
New Music — Artaserse by Leonardo Vinci
New music that may be of interest to our readers.
• Artaserse by Leonardo Vinci performed by the Haymarket Opera Company
Label: Cedille
Release Date: 2026
Audio CD: $42.99
Number of Discs: 3
Available at Amazon.com
Read description
• Artaserse by Leonardo Vinci performed by the Haymarket Opera Company
Label: Cedille
Release Date: 2026
Audio CD: $42.99
Number of Discs: 3
Available at Amazon.com
Read description
May 26, 2026
May 25, 2026
Memorial Day: Honoring the Fallen
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| Photo by New York Scugnizzo |
Pictured is Dawn of Glory, a striking monument by the Sicilian American sculptor Pietro Montana (1892–1978), located on the Brooklyn side of Highland Park along the Queens border. Unveiled on July 13, 1924, the memorial honors members of the local community who served during World War I; an estimated 10,000 people attended its dedication.
The larger-than-life figure depicts a fallen soldier rising from the battlefield. Nude and powerfully built, he casts off his shroud—a stark image of sacrifice transformed into triumph over death. The model for the figure was the Calabrian-born bodybuilder Angelo Siciliano (1894–1972), better known as Charles Atlas.
Prayer for Memorial Day
May God, the Lord of nations and the Prince of Peace, bless our country, bring comfort to those who mourn, and grant eternal rest to the fallen. Amen.
A Look at the Eighteenth Annual Battle of Bitonto Commemoration in New York City
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| Portrait of King Carlo di Borbone (c.1761) by Anton Raphael Mengs and The Battle of Bitonto (c.1750) by Giovanni Luigi Rocco |
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| A painted copy of Anton Raphael Mengs' circa 1761 Portrait of Carlo di Borbone |
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| Fritto misto palermitano (crocchè di patate, arancini e panelle) |
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| Polpette di melanzane |
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| Sfincione |
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| Insalata di finocchio with fennel, oranges, arugula, and lemon dressing |
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| Zuppa di cozze |
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| Gamberi Oreganati |
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| Pasta al pesto di pistacchi |
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| Pasta alla Norma |
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| Homemade cannoli with crushed pistachios |
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| Gelato al limone |
May 24, 2026
A Modern Man, Bound by Tradition
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| Tommaso Aniello, known as "Masaniello" (1620-1647) |
To call oneself a monarchist is often misunderstood. It is not an expression of personal ambition, nor a quiet fantasy of elevation. I am content with my station. I do not dream of crowns or titles, nor do I indulge in illusions of power. Rather, it is a recognition that order, hierarchy, and continuity have their place in the proper arrangement of society.
There is something admirable in figures like Masaniello, who, despite being thrust into leadership, never mistook it for his natural place. When offered a gold chain by the Viceroy, he refused it outright, insisting he wished to return to selling fish once the moment had passed. On another occasion, he drove away curious nobles, declaring he preferred the company of simple people like himself. Whatever became of him, there is a clarity to that instinct—a refusal to confuse circumstance with calling.
In this, I stand apart from the revolutionary impulse—whether clothed in utopian language or material promises. I have no desire to tear down in hopes of ruling over the ruins. History shows too clearly how such dreams end: not in justice, but in blood and disillusion.
If anything, my instinct is the opposite—to serve rather than to dominate. As the inversion of Milton’s adage suggests, better to serve in heaven than to rule in hell. And if our present age often feels unmoored, even infernal at times, the task is not to seize power within it, but to remain grounded in something higher than it.
This same instinct extends into more personal domains, including the question of continuity within family and culture. I find myself sympathetic to Carlo Rossi di Lauriano’s understanding of endogamy as the recognition that inheritance is not merely material, but spiritual.* Traditions, habits, beliefs, and ways of seeing the world are carried, preserved, and transmitted through living communities, most immediately through the family and lineage across generations.
The old Neapolitan saying captures this well: “A crianza fa ’o signore, no ’a lira.” Good breeding makes a gentleman, not money. It is not wealth or sudden elevation that confers dignity, but formation—something cultivated over time, not seized in a moment.
To uphold continuity in this sense is not merely to reject the outside world, but to resist dissolution within it. It is an acknowledgment that what has been handed down is fragile and, without conscious preservation, easily lost. In an age that celebrates rootlessness as freedom, there is something quietly radical in choosing to remain rooted.
~ By Giovanni di Napoli, May 23rd, Feast of Sant’Eframo di Napoli
Notes:
* Duke Carlo Rossi di Lauriano was a Piedmontese nobleman, diplomat, and intellectual active during the first half of the twentieth century. He is best known for his involvement in the UR Group (Gruppo di Ur), a short-lived but influential circle of esotericists and philosophers. The ideas referenced here are drawn primarily from Spirito aristocratico e casta aristocratica, published in La Torre: Foglio di espressioni varie e Tradizione una, 2nd rev. ed. (Edizioni Mediterranee, 2020).
In Memory of King Ferdinando II of the Two Sicilies
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| Shrine to King Ferdinando II of the Two Sicilies at Red Sauce Studios in Little Italy, New York |
Established in 1904, the old-school landmark remains renowned for its legendary red sauce and enduring connection to the neighborhood’s Duosiciliano heritage. The gathering combined remembrance, fellowship, and continuity with the customs and traditions long associated with southern Italian communal life.
As the luncheon fell on a Friday, the table reflected the traditional custom of abstaining from meat in favor of seafood. Among the dishes enjoyed were scungilli, fried calamari, and shrimp balls, alongside several of the restaurant’s classic specialties.
The occasion served not merely as a social gathering but also as a remembrance of a historical legacy preserved through fraternity, ritual, and shared cultural memory. Viva 'o Rre!
Following the luncheon, several members visited the nearby Italian American Museum to view the ongoing Totò and His Naples exhibit, dedicated to the life and legacy of the great Neapolitan actor and comedian Totò.
The visit provided a fitting conclusion to the afternoon, linking the legacy of the Kingdom of the Two Sicilies with one of Naples’ most beloved cultural figures, whose work preserved the humor, dignity, sorrow, and spirit of the southern Italian people.
The visit provided a fitting conclusion to the afternoon, linking the legacy of the Kingdom of the Two Sicilies with one of Naples’ most beloved cultural figures, whose work preserved the humor, dignity, sorrow, and spirit of the southern Italian people.
May 23, 2026
New Book — Sicily: The Unidealized Archive
A new title that may be of interest to our readers. Available at Amazon.com
• Sicily: The Unidealized Archive: A guide to enduring the most dense, layered, and contradictory place in Southern Italy by Olga Angelucci
Publisher: Independently published
Pub. Date: April 29, 2026
Paperback: $39.99
Kindle $9.99
Language: English
Pages: 97
Read description
Click here to see more books
Listing does not imply endorsement
• Sicily: The Unidealized Archive: A guide to enduring the most dense, layered, and contradictory place in Southern Italy by Olga Angelucci
Publisher: Independently published
Pub. Date: April 29, 2026
Paperback: $39.99
Kindle $9.99
Language: English
Pages: 97
Read description
Click here to see more books
Listing does not imply endorsement
May 22, 2026
Remembering King Ferdinando II of the Two Sicilies
| January 12, 1810 - May 22, 1859 |
Eternal rest grant unto His Majesty, O Lord and let perpetual light shine upon him. May his soul, and the souls of all the faithful departed, through the mercy of God, rest in peace. Amen
New Music — Pergolesi: L'Olimpiade
Forthcoming music that may be of interest to our readers.
• Pergolesi: L'Olimpiade performed by Anicio Zorzi Giustiniani
Label: Arcana Records
Release Date: July 17, 2026
Audio CD: $29.99
Number of Discs: 2
Available at Amazon.com
Read description
• Pergolesi: L'Olimpiade performed by Anicio Zorzi Giustiniani
Label: Arcana Records
Release Date: July 17, 2026
Audio CD: $29.99
Number of Discs: 2
Available at Amazon.com
Read description
May 21, 2026
The Feast of the Ascension at Carditello
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| HRH Princess Beatrice of Bourbon–Two Sicilies with dignitaries and reenactors Photos courtesy of Gaetano Bonelli and 1° Reggimento Re |
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| Members of the 1° Reggimento Re |
The religious dimension of the celebration remained central. The traditional floral display, the solemn Mass celebrated by Cardinal Crescenzio Sepe, and the procession of Carlo Brunelli’s altarpiece reaffirmed the deeply Catholic character of the feast. Especially striking was the ancient blessing of the waters from the Carolino Aqueduct, a rite that seemed to bind together landscape, faith, and history in a distinctly Duosiciliano way.
Rather than functioning as a simple cultural event, the Feast of the Ascension at Carditello demonstrated how historical memory can still be lived publicly and spiritually. For a few hours, the Royal Site became, once again, part of a living tradition rather than a monument to a vanished world.
~ By Giovanni di Napoli, May 20th, Feast of San Bernardino da Siena
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