June 25, 2026

Smoke, Fellowship, and St. John the Baptist: The Sons of the Two Sicilies Pipe Club Returns to Brooklyn

A small devotional shrine dedicated to San Giovanni Battista
Ut queant laxīs
resonāre fibrīs
Mīra gestōrum
famulī tuōrum,
Solve pollūtī
labiī reātum,
Sāncte Iohannēs.
On the Vigil of the Feast of St. John the Baptist, members of the Sons of the Two Sicilies Pipe Club gathered at Amunì ristorante in Bay Ridge, Brooklyn, for their third Pipe Night dinner.

Partygoers enjoyed a Sicilian repast prepared by our gracious host, Chef Vincent Dardanello. Among those present were members of the San Rocco Society di Potenza and the Sacred Military Constantinian Order of St. George. Special thanks are due to the Order’s Delegate, Cav. John Viola, and Vice-Delegate, Cav. Patrick O’Boyle, for their support of the evening.

In addition to fine food and fellowship, attendees enjoyed a curated exhibition of four landscape paintings by Professor David DiPasquale, a display of antique pipes and vintage brochures from Brooklyn’s former Don-Lou Pipe Shop, a tasting of Sicilian wines, and a makeshift shrine dedicated to St. John the Baptist.


Our friends from the Italian American Podcast recorded interviews throughout the evening, while attendees shared their favorite blends and showed off pipes from Southern Italy and around the world. One fortunate guest departed with the evening’s door prize, a copy of The Question of Hispanidad: History, Culture, and Politics (Arouca Press, 2026) by Miguel Ayuso, courtesy of Il Regno.

Fr. Michael Barone, Fr. Leo Joseph Camurati, O.P., Canon Adrian Sequeira, and Canon Alexis Rouquayrol joined the festivities. Canon Rouquayrol offered grace before the meal and later led the group in chanting the ancient hymn Ut queant laxīs as attendees gathered in the backyard for pipes, cigars, Chartreuse, espresso, dessert,
 and conversation beneath the summer evening sky.

The evening concluded in a spirit of fraternity, gratitude, and devotion to St. John the Baptist. More important than the food, drink, or prizes, however, was the opportunity to renew old friendships, forge new ones, and strengthen the bonds that unite our community. Those present departed with the shared hope that Pipe Night will once again become an annual observance on the Vigil of the Forerunner. Evviva San Giovanni!

~ By Giovanni di Napoli, June 24th, Feast of St. John the Baptist
San Giovanni Battista, ora pro nobis
    Guests enjoyed a select exhibition of four thought-provoking landscape paintings by Professor David DiPasquale, displayed throughout the evening
The flag of the Kingdom of the Two Sicilies
A collection of antique pipes from the former Don-Lou Pipe Shop in Brooklyn
Vintage brochures from Brooklyn's former Don-Lou Pipe Shop
Attendees shared their favorite pipe tobacco blends
An antique pipe from Salzburg, Austria
An intriguing pipe of unknown origin, adorned with two unusual carved faces
(L) A copy of The Question of Hispanidad: History, Culture, and Politics by Miguel Ayuso. (R) Canon Rouquayrol offered grace before the meal 
Attendees stand and face the flag during the playing of
the National Anthem of the Kingdom of the Two Sicilies
Attendees raise a toast and extend their best wishes to Her Royal Highness Princess Maria Carolina of Bourbon-Two Sicilies, Duchess of Palermo and Calabria, on the occasion of her birthday
Tagliere di salumi, formaggi e olive
Arancini
Carciofi fritti
Pesto alla Trapanese
Pasta al forno
Shrimp oreganata
Parmigiana di melanzane
Milanesa de Pollo
Iris
Nero d'Avola and Chartreuse
Professor David DiPasquale discusses the religious
dimensions of his landscape paintings
Canon Alexis Rouquayrol chants the ancient Hymn to Saint John
Guests mingle and enjoy pipes and cigars in the backyard
A.J. and Pat share a laugh with Father Leo
    The evening concludes in the backyard with pipes, cigars,
Chartreuse, espresso, dessert, and conversation

Il Portastendardo di Civitella del Tronto (n. 60 - Giugno 2026)

Fifth Sunday After Pentecost at Our Lady of Sorrows Church in Jersey City, New Jersey

June 24, 2026

An Introduction to Giambattista Vico and The New Science

Portrait of Giambattista Vico, attributed
to Francesco Solimena or his circle

“Men first feel necessity, then look for utility, next attend to comfort, still later amuse themselves with pleasure, thence grow dissolute in luxury, and finally go mad and waste their substance.” ~ Giambattista Vico, The New Science

Giambattista Vico (1668–1744) was a Neapolitan philosopher, historian, and jurist deeply rooted in the civic, linguistic, and historical traditions of Naples. Though formally educated, he pursued extensive independent study, distinguishing himself from the dominant rationalist currents of his age. A serious childhood fall interrupted his early schooling, an episode noted by later biographers, though its long-term significance remains uncertain.

He spent most of his career as a professor of rhetoric at the University of Naples, where his study of language, law, poetry, and history became central to his philosophy.

Vico’s major work, Scienza Nuova (The New Science), offered a critique of Cartesian rationalism and of attempts to reduce history and civil life to geometric certainty. Rather than treating civilization as governed by universal formulas, Vico argued that laws, customs, institutions, myths, and histories must be understood as societies create and preserve them. This principle, known as verum factum (“the true is precisely what is made”), stands at the center of his thought.

In The New Science, Vico also proposed that civilizations move through recurring historical cycles, or corsi e ricorsi, passing through the divine, heroic, and human ages. Early societies, he argued, expressed themselves through myth, religion, and poetic imagination before giving way to more reflective and rational forms of political life. 

This cyclical understanding of history opposed the linear idea of inevitable progress favored by many Enlightenment thinkers and instead presented civilization as a process of rise, decline, and renewal. His attention to language, symbolism, memory, and custom anticipated later developments in the philosophy of history and cultural thought.

Little recognized during his lifetime, Vico’s work gained influence in later centuries among historians, philosophers, and scholars. Today, he is regarded as one of the foundational figures in the philosophy of history and as one of the earliest major critics of purely rationalist accounts of civilization. 

His enduring importance lies in his insistence that societies are understood not through abstraction alone, but through the traditions, institutions, and historical memory they inherit and preserve across generations.

~ By Antonio Isernia

Photo of the Week: The "Cleopatra Verospi" Sarcophagus, Vatican Museums

Photo by New York Scugnizzo

Feast of Our Lady of Perpetual Help at St. Michael's Church in Staten Island, New York

June 23, 2026

Happy Birthday Princess Maria Carolina!

HRH was born in Rome, Italy, on June 23, 2003
Photo courtesy of Real Casa di Borbone
Happy Birthday to Her Royal Highness Princess Maria Carolina of Bourbon-Two Sicilies, Duchess of Palermo and Calabria!

On this joyous occasion, may Heaven bless Your Royal Highness with abundant grace, lasting joy, and profound peace. May the noble legacy you carry continue to shine through your life with elegance, virtue, and dignity.

Auguri di cuore, Altezza Reale!

The Orient Imagined: East and West at The Met

Napoleon Before the Sphinx (Oedipus), ca. 1863-86,
oil on canvas, Jean-Léon Gérôme
I recently visited Orientalism: Between Fact and Fantasy at The Metropolitan Museum of Art, an exhibition I had been looking forward to for some time. Bringing together paintings, textiles, ceramics, arms and armor, and other works from both Europe and the Islamic world, it explores how nineteenth-century artists encountered (and sometimes imagined) the cultures of the East.

The exhibition highlights the extent to which many European artists romanticized and idealized the Orient, frequently blending observation with fantasy. Beautifully presented and filled with remarkable objects, it is well worth seeing for anyone interested in art, history, or the long and storied relationship between East and West.

~ By Giovanni di Napoli, June 22nd, Feast of San Paolino di Nola
Napoleon in Cairo, ca. 1863-68, oil on canvas, Jean-Léon Gérôme
(L) Moorish Bath, 1870, oil on canvas, Jean-Léon Gérôme.
(R) A Bashi-Bazouk, 1875, oil on canvas, Charles Bargue
The Snake Charmer, ca. 1879, oil on canvas, Jean-Léon Gérôme
Dance of the Almeh, 1863, oil on wood, Jean-Léon Gérôme
(L) Bashi-Bazouk, ca. 1868-69, oil on canvas, Jean-Léon Gérôme.
(R) Bashi-Bazouk, ca. 1868-70, oil on canvas, Jean-Léon Gérôme
A Greek Man on a Precipice, ca. 1822-24, oil on canvas, Théodore Géricault
Man Meditating over the Our'an, 1902, oil on canvas, Osman Hamdi Bey
(L) Dervish at the Children's Tomb, 1903, oil on canvas, Osman Hamdi Bey.
(R) The Grief of the Pasha, 1885, oil on canvas, Jean-Léon Gérôme
Odalisque in Grisaille, ca. 1824-34, oil on canvas,
Jean Auguste Dominique Ingres and workshop
Scene in a Harem (Un Envoi de Serbie), 1876, oil on canvas,
Benjamin-Constant (Jean-Joseph-Benjamin Constant)
(L) An Ottoman Man in the Artist's Studio, ca. 1823-26, oil on canvas, Auguste-Xavier Leprince. (R) Girl in a Courtyard, Algiers, 1886, oil on wood, Philippe Pavy
The Great Bath at Bursa, 1885, oil on canvas, Jean-Léon Gérôme
Sketch for "The Revolt of Calro, October 21st, 1798," ca. 1809-10, oil and ink on paper, laid down on canvas, Anne Louis Girodet de Roussy-Trioson
(L) Portrait of a "Mamelouk," 1810, oil on canvas, Horace Vernet.
(R) Egyptian Woman, 1890-91, oil on canvas, John Singer Sargent
The Turkish Patrol (Cadji-Bey, Chief of Police at Smyrna, Making His Rounds),
1830-31 Oil on canvas, Alexandre-Gabriel Decamps
(L) Jewish Woman of Algiers Seated on the Ground, 1846, watercolor over graphite on wove paper, Théodore Chassériau. (R) Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, July 1832, watercolor over graphite on wove paper, Eugène Delacroix
Visit to a Jewish Bride in Tangier, ca. 1832-33,
watercolor on paper, Eugène Delacroix
Helmets with mark of the Ottoman arsenal, formerly in the collection of Jean-Léon Gérôme, attributed to eastern Turkey or Iran, Aq Qoyunlu period (1378-1508), ca. 1450-1500, steel, silver, copper alloy, probably Turkey, Ottoman period (ca. 1299-1923), late 15th-16th century, steel, copper alloy, silver, gold
Pair of flintlock pistols, probably Albanian, Ottoman period,
19th century, wood, steel, silver, silver wire