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A Kitchen Cook, Reading, 1759, black, white, and red chalk, with smudging, on light brown paper, Jean-Baptiste Greuze (French, 1725-1805) |
[See Part 2]
Highlights from ‘Liberty to the Imagination: Drawings from the Eveillard Gift’ (June 7 through October 6, 2024)
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Studies for the "Arrest of Samson," ca. 1609-11, pen and brown ink and brown and gray wash, Peter Paul Rubens (Flemish, 1577-1640) |
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Sleeping Female Figure, 1890s, graphite with smudging and erasures, Auguste Rodin (French, 1840-1917) |
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Warwick Castle from the Kenilworth Road, ca. 1831-32, watercolor, opaque watercolor, and black ink over black chalk with scratching, John Constable (British, 1776-1837) |
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Portrait of Jenny Le Guillou, ca. 1835-40, brown wash over graphite, on paper brushed and darkened from adhesive, Eugène Delacroix (French, 1798-1863) |
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Study for "Judas Returning the Thirty Pieces of Silver," ca. 1628-29, pen and brown ink and gray wash over black chalk, Rembrandt Harmensz van Rijn (Dutch, 1606-1669) |
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St. John the Baptist, ca. 1620, red chalk and white opaque watercolor on pink prepared paper, Antonio d'Enrico, called Tanzio da Varallo (Piedmont, ca. 1575-ca. 1635) |
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Study of Marcelle Lender Performing, 1893, red chalk over graphite, Henri de Toulouse-Lautrec (French, 1864-1901) |
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Caernarfon Castle by Moonlight, ca. 1775, black ink and watercolor, with white opaque watercolor, Paul Sandby (British, 1725/31-1809) |
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An Ambush Beside a Wood, ca. 1610, pen and brown ink with gray and brown wash, over traces of black chalk, Sebastiaen Vrancx (Flemish, 1573-1647) |
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A Wooded Road, a Shepherd with His Flock on a Rise at the Right, ca. 1640-50, pen and brown ink and watercolor, Lucas van Uden (Flemish, 1595-1672) |
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A View in Rome, ca. 1605, graphite and brush and brown wash, with touches of red chalk, Jan Willemsz Lapp (Dutch, 1585/90-1663) |
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A Town Cryer with a Drum in a Village, Surrounded by a Crowd Listening, ca. 1624-25, brush and black ink and gray wash, over black chalk, Jan van Goyen (Dutch, 1596-1656) |
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Tivoli, an Evening Study, 22nd May 1781, graphite, pen and ink, and wash, Francis Towne (British, 1739/40-1816) |
Highlight from 'Capturing Atmosphere: European Nature Studies in Oil' (November 14, 2023 through August 11, 2024)
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Ischia and the Bay of Naples by Moonlight, ca. 1800, oil on paper, Pierre Henri de Valenciennes or circle |
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Lion Entering a Cave, ca. 1860-, watercolor, Gustave Doré (French, 1832-1883) |
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Ida Lvovna Rubinstein, ca. 1911, oil on canvas, Howard Gardiner Cushing (1869-1916) |
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Vaslav Nijinsky in "Afternoon of a Faun," modeled 1912, cast 1959, bronze, marble base, Auguste Rodin (1840-1917) |
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Self-Portrait, ca. 1907, oil on canvas, ca. 1907, Natalia Goncharova (1881-1962) |
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Illustration from "Skazka ob Ivane-tsareviche, Zhar-ptitse i o serom volke" Ivan Bilibin (1876-1942) |
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Program for Les Ballets de Madame Ida Rubinstein, Académie Nationale de Musique et de Danse, May 1929 |
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Comedia illustré souvenir program for the Ballets Russes' June 1911 season at the Théâtre du Châtelet, Paris |
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Costume design, 1956, watercolor and pen on paper, Alexandre Benois (1870-1960) |
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"Les Ballets Russes à Mogador" program, Paris, June 1922 |
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Mme Ida Rubinstein, 1917, watercolor, gouache, and graphite on paper, mounted on canvas, Léon Bakst (1866-1924) |
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"Adagio / Supplication of the Firebird" from Firebird, Igor Stravinsky (1882-1971) |
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Michel Fokine, after 1909, lithograph, Valentin Serov (1865-1911) |