September 16, 2013

A Look at NYC's 2013 San Gennaro Parade

Viva San Gennaro!
Bust of the Patron Saint of Naples inside Most Precious Blood Church 
The Red Mike Festival Band kicks off Saturday's parade in Little Italy
The color guard leads the parade down bustling Mulberry Street 
Adorable little angels accompany the Queen of the Feast 
The "living legend" Bruno Sammartino
This year's Grand Marshals were former New York
Governor Mario Cuomo and his wife Matilda 
The parade passes the Basilica of Saint Patrick's Old Cathedral
There is no shortage of food at the Feast 
I can't visit Little Italy without stopping by some of my favorite shops 
Statue of San Gennaro in the window
of the Mulberry Street Cigar Company
Outdoor shrine on Mulberry Street
Photos by New York Scugnizzo

September 12, 2013

A Review of Michéal Castaldo's "Bergamot"

Michéal Castaldo
By Lucian

If you are a fan of Southern Italian music and language then you’ve probably already heard of Michéal Castaldo. Fusing the music of his native Calabria with other traditional Mediterranean and modern styles, Michéal sings in his ancestral tongue with passion and purpose. His pride reminds us that his regional heritage reaches back for centuries, predating Italy as we now know it, and his new release, Bergamot, Like a Breath of Fresh Air, transcends American expectations of Italian music.

Some Americans might be wondering what bergamot, the oil essential to the flavor of Earl Grey tea, has to do with Michéal Castaldo’s new CD, and the answer is — everything. The source for the oil is the skin of the bergamot orange, and Calabria has been the world’s primary supplier of this commodity for several centuries. The trees that bear the fruit do grow in other places, but the soil and climate particular to Calabria produce a superior product. The small fruit is yellow in color and also used in fragrances. The product is so entwined with the region that Reggio Calabria is sometimes called “The City of Bergamot.”

Like bergamot, the essence of Castaldo’s music is Calabrian. I can try to describe it but the best way to understand is to experience it. With this in mind I played the Bergamot CD for several of my friends and coworkers, and received very positive responses. One of my  colleagues is very familiar with the recording industry, so I was especially eager to see his reaction. As soon as he heard the beginning of the first track, Na Muri (Un Amor), his eyes lit up. He turned to me and said “Great voice, solid recording, this guy knows what he’s doing.”

September 11, 2013

A look at the 2013 Feast of Maria SS. Addolorata, Carroll Gardens, Brooklyn

Evviva Maria!
Photos by New York Scugnizzo
The annual procession in honor of Our Lady of Sorrows has been celebrated on the second Sunday of September in Carroll Gardens since 1948. 
Members of the Congrega Maria SS. Addolorata pose for a picture outside
Sacred Hearts of Jesus and Mary — St. Stephen Roman Catholic Church
The procession makes its way through the neighborhood
Outside the 76th Precinct to give thanks to New York's Finest 
Miss Mola Leonarda Parente and three little angels, 
Giuliana, Alessandra and Eliana
A close up of the Madonna Addolorata 
We stopped by the Congrega Maria SS. Addolorata social club
on Citizens of Mola Di Bari Way to listen to Therese Panicali
(below) sing a glorious rendition of Ave Maria 
Another look at the procession
The Metropolitan Festival Band
A miniature statue of the Madonna was displayed outside the church

September 10, 2013

A look at the 2013 Feast of Our Lady of Sorrows, Long Island City, New York

Evviva Maria!
Photos by New York Scugnizzo
I made my way to Saint Mary's Church (1008 49th Avenue) in Long Island City on Saturday (Sept. 7th) to participate in the 106th Annual Feast of Our Lady of Sorrows. Sponsored by the Societa Maria SS. Addolorata di Pignataro Interamna, the celebration was a magnificent display of faith and devotion. 

Following the wonderful service, a candlelight procession with a brass band accompanied the statue of the Blessed Mother through the neighborhood. 

Afterward we enjoyed some refreshments in the church auditorium. I was warmly welcomed and met many friendly people. I offer my sincere and heartfelt thanks to the Societa Maria SS. Addolorata di Pignataro Interamna for their hard work and generosity. They provide an invaluable service to our community. Evviva Maria!
The procession passes Pulaski Bridge 
The candlelight vigil makes its way down 11th Street
We stopped by Ladder Company 115 to offer thanks
and prayers to New York's Bravest
The color guard beam with pride 
Long time celebrant Louis passes this
wonderful tradition on to his sons Mark and Jack 
The Our Lady of Good Counsel Band
of Inwood, Long Island kept the festivities rolling
The procession wends its way through the neighborhood
Lanterns light the night sky
Heading down 48th Avenue towards Center Boulevard

September 9, 2013

Italics, Italics, Everywhere! (Part 1) The Ancient Peoples of Sicily

Italic settlements of Sicily
By Niccolò Graffio
“To have seen Italy without having seen Sicily is to not have seen Italy at all, for in Sicily lies the key to everything.” – Johann Wolfgang von Goethe: “Italian Journey”, 1816-17
The end of the Pleistocene Epoch (c. 11,700 BP) brought with it a number of significant changes across our planet, not the least of which was the beginning of the end of the last glacial period.  For thousands of years previously, huge areas of the Northern Hemisphere (and the continent of Antarctica) were under ice sheets called glaciers.  By the beginning of the Holocene Epoch the glaciers began their slow retreat back to the icy wastes of the North which spawned them.  Antarctica, of course, would remain locked under ice sheets down to the present.

The retreat of the glaciers also changed the ecological landscape of the continent of Europe.  Land in Northern Europe that was no longer buried under ice now supported an abundance of flora and fauna.  Grasslands in Southern Europe gave way to woodlands.  Species of megafauna (large animals) that could not adapt to these changes (like the cave hyena) disappeared, being replaced by the newer arrivals.

The increase in woodlands and wild game caused a similar increase in the population of humans, for whom hunting and gathering had always been the sources of their sustenance.   This increase in the number of humans put additional pressures on populations of megafauna already stressed by changes in ecology and no doubt helped drive a number of them into extinction.

Subsequent to the beginning of the Holocene came the time period archaeologists now call the Neolithic Revolution.  This was the period of time that saw a wide scale and widespread transition among humans from basically a lifestyle of hunting and gathering to one of agriculture and the establishment of permanent settlements.  As mentioned in a previous article, the peoples who brought this “revolution” to Europe originated in the Near East and became the ancestors of the peoples collectively referred to as Mediterranean.

Much has been written about the peoples who eventually settled what is today Southern Italy.  Though these peoples left us no written languages, to describe their religious beliefs, culture, tribal structures, etc., yet enough has survived to give archaeologists at least a glimpse of how they lived many thousands of years ago.

The first Neolithic arrivals on the island of Sicily brought with them sheep, goats, pigs and grains.  Archaeogenetic evidences suggest these peoples arrived around 8,000 BP from Western Asia (Anatolia).  The first of the ancient peoples of Sicily about which we know anything other than scant archaeological evidence is the Sicani.  The Athenian historian and general Thucydides (c. 460-395 BC) believed the Sicani had originally arrived from the Iberian Peninsula and were eventually driven into the central part of the island by the invading Siculi.  Timaeus of Tauromenium believed the Sicani were the descendants of the aboriginal inhabitants of Sicily, a belief held by many modern scholars.  Others, however, believe they were in fact an Illyrian tribe.

The earliest identifiable evidence of a Sicani culture is dated to around the middle of the 2nd millennium BC.  Later artifacts show these people had absorbed some aspects of Mycenaean culture.  Opinion is divided over whether the Sicani were originally a pre-Indo-European people who eventually adopted Indo-European ways or else an Indo-European minority who conquered and imposed themselves over a pre-Indo-European aboriginal population.

The next arrivals on the historic scene were the Siculi or Sicels.  It was these people who gave their name to the island of Sicily.  Archaeological and historical evidence gives the time of their arrival on Sicily at around 1,200 BC.  They were apparently an Indo-European people.  These new arrivals drove out the Sicani from the eastern part of the island, forcing them into the central regions.  

Though mentioned as a distinct people by some ancient Greek writers, archaeologists admit it is difficult to distinguish them in the archaeological record.  Some fragments of their language do survive, however.  The Siculi organized themselves into independent townships, politically speaking.  Thus, when the Greeks first arrived in droves on Sicily sometime in the middle of the 8th century BC they found it comparatively easy to overcome them and drive them from the coastal regions.  They were then able to secure the ports from themselves.

The Siculi, however, were not content to go into the mists of history without a fight.  The first serious challenge to Greek hegemony on the island of Sicily occurred around 460 BC under the leadership of Ducetius, a Hellenized Sicel who was probably born in or around the town of Mineo (in modern Catania).  In 467 BC war had broken out between the Greek polity of Syracuse and Catana, a former colony.  Ducetius sided with Syracuse against Catana because the people of the latter city-state had occupied Siculian land.

At first the Syracusans welcomed the assistance of Ducetius, who was thoroughly educated in Greek culture.  Soon, however, it became apparent he had grander designs than simply defeating the people of Catana.  He succeeded in uniting all the Siculi of central Sicily under his rule and subsequently founded the city of Palice, which became the center of his power.  The city’s population soon swelled with the ranks of runaway slaves who were eager to flock to his standard.  

At the head of a large army of Siculi he attacked and conquered the Greek town of Aetna before moving against Agrigentum.  By now the people of Syracuse became concerned with his unchecked growth in power and decided to throw their lot in with Agrigentum.  This in spite of the fact he never showed any malevolence towards Syracuse.  

Initially Syracuse was unable to defeat him and his Siculian armies.  By 451 BC he was at the height of his power and it began to look like he might very well establish a Sicel empire on the island of Sicily.  

Fortune turned against him, though, and a year later he suffered his first defeat.  This apparently enervated a number of his soldiers, who now felt his cause was lost.  His armies were scattered across the towns of his people.  Realizing that some of his men were planning on kidnapping him, Ducetius was forced to seek refuge in the city of his erstwhile allies.  He was tried by an assembly of Syracusans who handed out the moderate punishment of being banished forever to Corinth in Greece.  He returned to Sicily not too long afterwards, however, intent on founding a colony and reasserting his control over the Siculi.  Before he could do so he died, sometime around 440 BC.  Following the death of Ducetius both the Sicani and Siculi were rapidly Hellenized and absorbed into what would become Magna Graecia.

The last of the pre-Hellenic inhabitants of Sicily were the Elymians.  These people settled the northwestern portion of the island.  Like the Sicani, their origins are shrouded in mystery.  The ancient Greeks liked to consider them descendants of the Trojans, who, according to the story, fled to Sicily at the end of the Trojan War.  Some modern scholars believe the Elymians were, in fact, a people who immigrated to Sicily from the Anatolian Peninsula during the late Bronze Age.  Recent archaeological excavations at Monte Polizzo however, hint that at least some of their ancestors may have existed on Sicily for much longer.

Sometime after the Greeks began establishing colonies on Sicily the Carthaginians, a Phoenician people from North Africa, began likewise establishing a present on the westernmost part of the island.  As time passed the expansion of Carthaginian power inevitably brought it into conflict with the Greeks.  The Elymians adopted the alphabet of the Carthaginians and from this we know they spoke an Indo-European language.  In spite of this, the Elymians were enamored with Greek culture and rapidly became Hellenized.  They did, though, continue to maintain friendly relations with the Carthaginians, which brought them into conflict with the expansionist Greek city-state Selinunte (Selinus) by 580 BC.

The Elymians had succeeded in establishing several cities in their lands including Segesta, Eryx and Entella.  These cities were established with the help of Greek colonists, who no doubt were instrumental in Hellenizing their Elymian neighbors.  

It was Segesta that especially found itself at odds with Selinunte.  The Segestans fought wars with the people of Selinunte in 580 BC and again in 454 BC.  Modern historians believe the people of Selinunte were trying to find a way into securing an outlet for themselves to the Tyrrhenian Sea.
  
In 415 BC, finding themselves at war again with Selinunte, the Elymians of Segesta petitioned the then powerful city-state of Athens for help against their eternal foe.  Greek historians state the Segestans tricked the Athenians into believing they would pay the lion’s share of the cost of sending a fleet.  Athens at that time was in the midst of a respite in its struggles with Sparta for supremacy in the Peloponnesus and Magna Graecia.  The result of this intrigue was Athens’ disastrous Sicilian Expedition (415-14 BC) in which Athens suffered a crushing defeat in Sicily at the hands of the Spartans and their allies.

The Elymians, on the other hand (or rather, by now the Greco-Elymians) had much better luck afterwards securing for themselves an alliance with Carthage.  After Athens’ defeat the Selinuntines resumed their aggression against Segesta.  The Elymians were able to induce the Carthaginians into attacking the city-state of Selinunte.  Initially (in 410 BC) the Carthaginians sent a small force to aid their Segestan allies, who were able to utilize this aid in defeating their foes.  The following spring, however, the Carthaginians then sent a huge military force against the vastly outnumbered Selinuntines who suffered a crushing military defeat and thereafter were reduced to the status of a Carthaginian vassal.

The Elymians were nothing if not a practical people, famed for their prowess in business as well as in foreign affairs.  By the start of the First Punic War (264-241 BC) most of them had turned on their former Carthaginian allies and instead threw their lot in with the new rising star of the Mediterranean – Rome!  The Elymians further “schmoozed” their new Roman allies with stories of their northwestern Anatolian origins (the Romans, like many Elymians, claimed descent from the Trojans).

In gratitude the Romans gladly incorporated the Elymians and their lands into their nascent overseas empire, granting them a privileged status and exempting them from many taxes.  Shortly after this the Elymians disappear as a distinct people from the pages of history and seem to have been incorporated into the greater population of Roman Sicily.

Further reading: Leighton, Robert: Sicily Before History: An Archaeological Survey from the Paleolithic to the Iron Age; Cornell University Press, 1999

September 7, 2013

A Memorable Night in Little Italy

(L-R) Dr. Joseph V. Scelsa, Giovanni Pellerito and Michéal Castaldo
Photos by New York Scugnizzo
By Giovanni di Napoli

Thursday night (Sept. 5th) I attended a special double feature at the Italian American Museum in Manhattan. The program included a book presentation by author Giovanni Pellerito and a live performance by acclaimed Calabrian singer-songwriter Michéal Castaldo

Italians: Un Tricolore A Stelle E Strisce
is on sale at the museum
Treated to a glass of sparkling prosecco, we got comfortable and listened to Mr. Pellerito speak proudly about his latest work, Italians: Un Tricolore A Stelle E Strisce (A Flag With Stars And Stripes). Featuring the spectacular photography of Peter Zullo, the book is an intimate look at contemporary life in New York City's various "Little Italies." Spanning the boroughs, Pellerito and Zullo perfectly captured the essence of New York's Italian American community.

Museum founder and president Dr. Joseph V. Scelsa spoke glowingly about the book and showed a short film promoting the project. I think Italians: Un Tricolore A Stelle E Strisce would be a superb compliment to any book collection on the Italian American experience.

After a short intermission, Michéal Castaldo performed a spectacular set, singing songs from his extensive repertoire and showcasing his immense talent. Not surprisingly, passers-by from bustling Mulberry Street crowded the museum's doorways to listen to him sing. Michéal is an engaging performer; he talks to his audience between songs, sharing interesting personal and historical anecdotes, including his many influences (e.g. Byzantine and Spanish music) and eclectic interests. 

Michéal Castaldo sang a fantastic rendition
of Leonard Cohen’s Hallelujah in Calabrese
Familiar with his music—he just released his 8th CD, Bergamot—I was delighted to learn he's also an entrepreneur and philanthropist, investing in his native Calabria. In addition to his musical career, Michéal produces his own olive oil (New York City Olive Oil Coop) and line of perfume called Musica. What a pleasure it was to see him again.

Since the night was still young and I was feeling pretty lively after the event, I decided to cap off the evening with an espresso and sfogliatelle at Ferrara Bakery. First, however, I stopped by E. Rossi & Co. on Grand Street to browse for a bit (I was looking to buy a new Napoletana coffee maker). Boy, am I glad I did. While chatting to Ernie Rossi, the proprietor, the sensational Neapolitan singer-songwriter Simona De Rosa walked in. 

Currently living and studying in New York City, Simona is performing all around the tri-state area. We spoke for a while about her many projects, including an upcoming gig at the San Gennaro Feast (September 21st, all day by the shrine). Extremely talented and passionate about her art, Simona was kind enough to give me a copy of her latest CD, Kisses from Naples, which I'm thoroughly enjoying at the moment. 
Ernie Rossi sings a romantic ballad with Simona de Rosa
During our conversation, I was surprised to learn that Ernie was a musician as well. He took out his old guitar and played a couple of ballads for us—to my delight Simona joined in. In true Neapolitan fashion the songs were romantic tearjerkers. Completely unexpected and enjoying the moment, I regret not recording them on my iphone. Even though I forgot to purchase the coffee pot, it was a night I won't soon forget.

September 3, 2013

A Review of Luigi Capuana's "The Marquis of Roccaverdina," Translated by Santi V. Buscemi

By Lucian

When my colleague told me that Luigi Capuana's novel, The Marquis of Roccaverdina, was being translated by Santi V. Buscemi I couldn't wait until it was published. Buscemi's earlier translation of Capuana's C'era una volta was wonderful and an excellent addition to my library.

A perfect example of the naturalist school of literature called verismo, The Marquis of Roccaverdina does not simply tell a story, but clearly projects the thoughts and emotions of its characters. Written by someone who lived in this period, it allows us a special look into the past, when class relationships can appear simple but become far more complex as one studies them. The novel can be considered an expose of life and social class under the Sicilian nobility, so it surprised me that the tale is set some years after Italian Unification; indicating that, despite promises of reform, there was very little improvement in the lives of the common people. The novel is also said to be influenced by events from the author's life that occurred sometime in the late 1860s, years after the Risorgimento.

Capuana does not waste time getting our attention, the story begins with a murder.

The victim was more than a trusted subordinate of the Marquis, he was also the man who married the Marquis' former mistress on his behalf. His widow, a woman from the common class, is now coming to the Marquis for answers. This puts the Marquis in an awkward situation, both emotionally and politically, and more than anything he wants the case closed as quickly as possible. Forced to face his past, and his conflicted feelings for the woman, he makes several attempts to deal with his own guilt, but ultimately cannot.

On the surface, the novel clearly shows the unfairness of the class interaction and social expectations of the time, but a closer look will uncover deeper questions. The Marquis behaves in a manner almost stereotypical of the upper class and predictably uses his position to excuse his behavior. Did rigid social strictures force his actions? Did he have a choice? Marrying someone beneath your station was not unheard of in this period, but often came with social repercussions. One question could be: What are you willing to sacrifice to get what you want?

In the case of the Marquis, the question would be what he wanted more. Was he a victim of his society or part of the problem himself?

In addition to its literary merit, the novel is also a must read for anyone studying its author. Capuana was active in the revolutionary conspiracy against the Bourbon monarchy in Sicily, but the unflattering personal experiences that were said to inspire The Marquis of Roccaverdina occurred after they were deposed. I'm sure that any serious comparison between the novel and Capuana's own life would be intriguing and could fill a volume on its own.

September 2, 2013

A Look at the 2013 Feast of Santa Rosalia in Bensonhurst, Brooklyn

Evviva Santa Rosalia!
Photos by New York Scugnizzo
In what felt like the hottest day of the year,
Sunday's procession makes its way down 18th Avenue
Adorable ruginettas Rose, Luciana and Lucille with proud nonna Lucy Spata
Mario D'Amico sang our favorite festival songs,
including a glorious rendition of Ave Maria
Halfway through the procession, we cooled off outside
Villabate Alba Pasticceria and Bakery
Literally one of the best arancini I've had in awhile
It's not a Sicilian Feast unless you have a least one cannoli
After our break, the parade continued towards Santa Rosalia Church 
After Mass, Santa Rosalia was taken back to her chapel on 18th Avenue 
A look inside beautiful Santa Rosalia Church (6301 14th Ave.) 
I took a brief tour of the church to admire some of the artwork,
including this wonderful statue of Santa Rosalia

September 1, 2013

Buon Capodanno Bizantino! Happy New Year to Our Byzantine Brethren!

In the Byzantine Rite September 1st is the beginning of a new liturgical year. For centuries, Byzantine civilization flourished in Southern Italy until being absorbed by the dominant Latin population. However, pockets of the Divine Liturgy and old cultural traditions still exist today and, in some cases, they continue to grow and thrive again.

Harking back to its Imperial roots, Amalfi and neighboring Atrani commemorate Byzantine New Year with a two day medieval themed festival, extolling the past glories of the ancient maritime Republic. Beginning on the eve on August 31st, revelers will partake in a series of popular amusements and entertainments, including music, local delicacies, fireworks and, of course, the grand procession of Knights and Ladies in period costumes (corteo storico rievocativo) reenacting the bygone investiture of the new Magister di Civiltà Amalfitana. 


In celebration, I’m posting prayers for the Beginning of the Church Year from Byzantine Catholic Prayer for the Home. They are meant for private use. Pictured is my WWI Byzantine Cross Combat Rosary from Rugged Rosaries. Buon Capodanno Bizantino!


Troparia

Troparion of the lndiction Tone 2 You spaced the seasons and the years on Your Own authority, so bless the beginning of this New Year, O Creator. Preserve our authorities and our state in peace, O Lord, through the prayers of the Theotokos, and save us.
Kontakion of the lndiction Tone 2 Christ our King Who dwells on high, bless the beginning of this new year. For You are the One Who set the seasons and the years. You are the One Who made both night and day. Protect our authorities, our state and our people, and keep them at peace, O merciful Lord. 


Stichera
Glory be...now and ever…O Eternal Word and Son, together with the Holy Spirit, Creator + and Maker of all things visible and invisible, bless the beginning of the year, keep in peace all the faithful, through the prayers of the Theotokos and all Your saints.