Perhaps what he (Spengler) terms the Faustian culture-our own-began as early as the eleventh century with the growing addiction to great unfillible cathedrals with huge naves and misty recesses where space seemed to hover without limits. In the words of one architect, the Gothic arch is "a bow always tending to expand". Hidden within its tensions is the upward surge of the space rocket. ( The Invisible Pyramid, pg. 84)
|Janus-head, Roquepertuse, France|
|Petrone and Von Braun|
...Rocco Petrone turned to Albert Zeiler ( a colleague) with a grin on his face and said, "Al, we've got our work cut out for us." Petrone, a man of theatrical flair, loved the drama of a nation undertaking this enormous challenge in full public view. He thought of it as saying to the world, "Here's the line we're going to cross." (Apollo, pg. 71)
"...The launch vehicle...would come to seem anthropomorphic to Petrone, as if it were a giant to whom Petrone and the thousands of workers at the Cape were bound like servants to an imperious master. "You can't be saying to him, "I'm sorry, you can't have that much propellant,' or' You can't have that much juice or that much wiring," said Petrone. He's going to get what he wants. The flight article has got to dominate." And because Goliath's demands were going to be so outrageous, the machines for tending to him would have to follow suit. Launching Saturn Vs involved the management of extremes-the biggest and the smallest, the hottest and the coldest, wispy fragility and colossal strength-and in the design of the Launch Operations center, form followed function. But they were bizarre forms to fit an outlandishly extravagant function." Apollo pg.71
"...the tower and the vehicle were bathed in lights, set off by searchlights that intersected at the apex of the stack. To a New York Times reporter, the Saturn looked like a crystalline obelisk. To a visiting Soviet poet Yevgeny Yevtushenko, the Saturn and the red umbilical tower with its swing arms were a white maiden clasped by a monstrous lobster. Rocco Petrone was reminded of a cathedral." Apollo, pg 234
"...a broad shouldered tree of a man who in his line of work is treated with the same mixture of awe and respect football players give Vince Lombardi"
"Ebullient and blunt-spoken, he looked the way his name sound-big strong and Italian." pg.71
"When he asked for fresh batteries for Apollo 11 during launch testing, few others felt this expensive request was worthwhile. But Kennedy Space Center Director Kurt Debus got this reply from Washington: "If Petrone says he wants it that way, then do it that way."
"Faustian man is never at rest in the world. He is never the contemplative beneath the sacred Bo tree of the Buddha. He is, instead, a spokesman of the will. He is the embodiment of a restless, exploratory, and anticipating ego. In the last word we have the human head spun round to confront its future-the future it has created.It well may be that the new world, which began amidst time-tolling bells and the stained glass and dim interiors of Gothic cathedrals, laid an enchantment upon the people of Western Europe that provided at least a portion of the seedbed for the later rise of science-just as guilt has also haunted us. In its highest moments, science could also be said, not irreverently, to be a search for the Holy Grail." (The Invisible Pyramid, pg. 85)
"I see man in the program as the essential element of adventure and discovery that we need. You start talking about adventure and discovery and anyone who tells you what's going to come out of it has got to be a fool to try, because out of discovery man has moved from the caves to where he is today, and we ain't finished moving. I look upon all those things out there (in space) as challenges, put there by someone for us to try to understand, and in trying to understand we're going to be better." (Los Angeles Times, April 23, 1975)