June 28, 2011
Luigi Pirandello was born on June 28, 1867 in Caos, a small hamlet in Girgenti (now Agrigento), Sicily. He studied Philology in Rome and Bonn, and published his doctoral thesis, Sounds and Developments of Sounds in the Dialect of Girgenti, in 1891. He was a prolific writer best remembered for his plays, the most famous of which was, Six Characters in Search of an Author. The dramatist also produced poems, novels and numerous short stories, often expressing tragedy and disillusionment inspired by his own personal experiences. In 1934 Pirandello was awarded the Nobel Prize in Literature. To the chagrin of his many apologists the Nobel Prize Laureate was a member of the Fascist Party and donated his gold medal to support the Italian war effort in Abyssinia. The literary giant passed away in Rome on December 10, 1936. Continue reading
June 24, 2011
|Gulf of Naples|
At the northern periphery of the Gulf of Naples lies the enchanting Island of Ischia. Steeped in history and legend, this jewel of the Tyrrhenian is the birthplace of the 'Ndrezzata, a traditional folk dance whose origins are shrouded in mystery. Twirling with increasing speed, armed participants strike and parry with wooden swords and mazzarelli (cudgels) in a dance, some say, symbolizes the war between the sexes (or nymphs and satyrs). Depending on whom you ask, there are any one of a number of stories offering an explanation.
According to one legend the 'Ndrezzata was taught to local villagers by the island's nymphs. It was supposed to remind them of happier days when the spirits of the wood gaily danced to the celestial sounds of Apollo's golden lyre. During the sybaritic festivities the sun god fell in love with the beautiful nymph, Coronis, and the two conceived a child, Asclepius, the god of healing and medicine. Blessed, the island became famous for its therapeutic qualities.
A View of Ischia from the Sea (1842)
by Jean-Charles-Joseph Rémond (1795-1875)
Colonized by Euboean Greeks during the first half of the eighth century BC, it has been suggested the martial aspects of the dance harken back to the military prowess of the ancient Hellenic warriors. Others say the custom doesn't date from the Classical Era, but simply recalls a military victory over Saracen raiders during the sixteenth century. Considering the great frequency and ferocity of these attacks (in one raid alone the infamous Turkish corsair, Barbarossa, captured 4,000 slaves) any success in repelling the invaders would be worth celebrating.
Nevertheless, the most popular interpretation claims the dance represents the reconciliation between the neighboring villages of Barano and Buonopane. In 1540 a Baranese boy fell in love with a Buonopanese girl. He secretly gave her a belt made of coral as a token of his love and symbolizing their union. The transgression was discovered by a rival suitor and led to an open feud between their clans. A battle ensued, but thanks to the divine intervention of the Madonna della Porta cooler heads prevailed and the belt was burned at the Church of San Giovanni Battista on Lunedì dell’Angelo (Easter Monday), satisfying both parties. It remains unclear who got the girl.
Tradition has it that one cannot be taught the 'Ndrezzata, it's a special gift bestowed at birth to the people of Ischia from the nymphs of Nitrodi. The dance is performed only twice a year — during Easter Monday and Midsummer (June 24th), the feast day of St. John the Baptist, patron saint of Buonopane. Whatever its true origins, the 'Ndrezzata is a beautiful reminder of the long history and rich heritage of Southern Italy.
June 23, 2011
Giambattista Vico (b. June 23, 1668 — d. January 22-23, 1744)
Photo by New York Scugnizzo
"Jove hurls his bolts and fells the giants, and every gentile nation had its Jove.”
“Men first feel necessity, then look for utility, next attend to comfort, still later amuse themselves with pleasure, thence grow dissolute in luxury, and finally go mad and waste their substance.”
“It is a mark of the strong not to lose by sloth what they have gained by valor.”
“Honor is the noblest stimulus to military valor.”
“As the popular states became corrupt, so also did the philosophies. They descended to skepticism. Learned fools fell to calumniating the truth. Thence arose a false eloquence, ready to uphold either of the opposed sides of a case indifferently. Thus it came about that, by abuse of eloquence like that of the tribunes of the plebs at Rome, when the citizens were no longer content with making wealth the basis of rank, they strove to make it an instrument of power. And as furious south winds whip up the sea, so these citizens provoked civil wars in the commonwealths and drove them to total disorder. Thus they caused the commonwealths to fall from a perfect liberty into the perfect tyranny of anarchy or the unchecked liberty of the free peoples, which is the worst of all tyrannies."
(Reprinted from The New Science of Giambattista Vico, Cornell University Press, 1984.)
June 22, 2011
The Italian American Museum Presents
Anti-Italianism: Essays on a Prejudice
Just published by Palgrave Macmillon
Please join us for a special presentation of the book, Anti-Italianism: Essays on a Prejudice. An expert panel will discuss the delicate topic of prejudice and stereotypes related to the Italian experience in America.
Cav. Joseph V. Scelsa, Ed.D. - Founder and President of the Italian American Museum and Professor Emeritus, Queens College, CUNY
Speakers will include:
William J. Connell - Professor of History and holder of the Joseph M. and Geraldine C. La Motta Chair in Italian Studies, Seton Hall University
Dr. Elizabeth G. Messina - Psychologist, Lenox Hill Hospital
LindaAnn LoSchiavo - Playwright and Journalist
Fred Gardaphé - Distinguished Professor in English and Italian American Studies, Queens College, CUNY
About the Book:
There has been an odd reluctance on the part of historians of the Italian American experience to confront the discrimination faced by Italians and Americans of Italian ancestry. This volume is a bold attempt by an esteemed group of scholars and writers to discuss the question openly by charting the historical and cultural boundaries of stereotypes, prejudice, and assimilation. Contributors offer a continuous series of cultural encounters and experiences in television, literature, and film that deserve the attention of anyone interested in the larger themes of American history.
Thursday, June 30, 2011 - 6:30pm
155 Mulberry Street
New York, NY 10013
Suggested donation of $10 per person
** Seating is Limited **
PLEASE RESERVE EARLY
To reserve a place for this event please call the
Italian American Museum at (212) 965-9000
(Reprinted from the Italian American Museum press release)
June 19, 2011
A poem by Achille Serrao
Reprinted from Cantallèsia: Poems in the Neapolitan Dialect (1990-1997), edited and translated by Luigi Bonaffini, Legas 1999, p. 68-69
My Father Never Left...
My father never left
the last mouthful in the plate
and didn’t throw away half a cigarette, ever.
I do, times have changed
and so have sayings…
as for instance:
tell me who your father is
I’ll tell you who you are.
Pàtemo nun lassava...
Pàtemo nun lassava
'o muorzo d''a crianza dint' ô piatto
e nun jettava 'a meza sigaretta, mai.
I' si, 'e tiempe só ccagnate
e 'nzieme 'e ditte càgneno...
tanto pe' mme n'ascì:
'e chi sì ffiglio, dimme
e te dico chi sì.
June 12, 2011
Reprinted from the Enrico Caruso Museum of America calendar of events
Please join us at the programs listed below. Museum members may attend as many of the programs as you wish if space is available. Please make your reservation early to guarantee availability. Members attend free, non-members $10 per program.
The Museum is open most Sundays by appointment only.
The Museum will provide special lectures and concerts, either at the Museum, or at your facility. Contact us for more information.
Available Sunday Programs for June-July 2011:
• The Life and Times of Enrico Caruso – Jun 26
• The Life and Times of Arturo Toscanini – Jul 3
• The Life and Times of Enrico Caruso – Jul 10
• The Life and Times of Valentino – Jul 17
• The Life and Times of Arturo Toscanini – Jul 3
• The Life and Times of Enrico Caruso – Jul 10
• The Life and Times of Valentino – Jul 17
Enrico Caruso Museum of America
1942 East 19th Street
Brooklyn, NY 11229
Phone and Fax: (718)-368-3993
Photo courtesy of the Enrico Caruso Museum of America
June 8, 2011
Reprinted from the May 2011 Craco Society newsletter
SAVE THE DATE!
October 21st - 23rd
San Vincenzo has been bringing Cracotans together in New York for 110 years! This year is no different.
From October 21st—23rd we will be holding the 5th Annual Crachesi del Nord America Reunion and celebrating the 110th Anniversary of the statue of San Vincenzo, Martire.
There will be good friends, family, familiar places, and great food to share as we meet in Brooklyn on Friday and Saturday before celebrating the feast of San Vincenzo Martire in Manhattan on Sunday.
Mark your calendars!
A REQUEST FOR HELP
As we work on the Reunion and 110th Anniversary of the statue of San Vincenzo in New York we are researching the history of the Societá S. Vincenzo Martire di Craco.
After uncovering many new details we are now asking members for information they have to fill in some gaps in information.
First, if anyone has photographs of the Societá S. Vincenzo Martire di Craco or any events they held we would appreciate having them to share with members.
Any stories or memories that people have about participating in San Vincenzo feast events would also be helpful in adding to our understanding.
Among the mysteries we are trying to resolve are the following:
• Who brought the bone relic of San Vincenzo to the US from Craco so it could be presented to St, Joachim’s Church in 1901?
• Who brought the upright statue of San Vincenzo to the US from Craco during the mid- 1920s?
• What happened to the upright statue in the 1960s after St. Joachim’s Church was closed?
Please contact us if you have any information or material that can help. You can reach us by email or by phoning 774-269-6611.
14 Earl Road
East Sandwich, MA
Photo courtesy of the Craco Society
June 5, 2011
JUNE 22, 2011
New York University
24 West 12th Street
New York, NY 10011
Casa Italiana Zerilli-Marimò has been offering for years an intense calendar of events in many different cultural and social fields, such as art exhibits, concerts, lectures, screenings and previews, literary presentations and awards, and other events open to the public, all of which pertinent to Italian culture and made available - in English - for an American audience. Following is the list of upcoming events. Unless stated otherwise, all events are FREE and open to the general public. It is not possible to reserve seats and seating will take place on a first-come first-serve basis.
MASSERIA: The Italian Farmhouses of Puglia (Rizzoli New York, 2011) Photography by Mark Roskams with text by Diane Lewis (Cooper Union) and Project Director, Cristina Rizzo
Surrounded by verdant vineyards and groves of olive trees, the ancient Masseria buildings of Puglia—fortified domestic structures of brick, stone, and concrete dating from the Middle Ages—embody a rich cultural past largely unexplored by the tourists and villa-seekers of Tuscany. Once serving as farmhouses and way stations for those traveling along the Via Appia, these buildings have been renovated to serve as private residences or boutique hotels, with their beautifully preserved interiors thoughtfully adapted and turned into a cool serenity. With striking photography by Mark Roskams, this book offers a previously unseen look into these spaces. Simultaneously austere and luxurious, the simple yet spacious rooms retain their original charm, including stone kitchen fireplaces, churchlike arched hallways, and magnificent marble floors. The rustic reds, golden yellows, and cornflower blues of Italy’s sun-drenched southeast coast are mesmerizing when set against the dazzlingly white backdrops of medieval stucco and stone. Richly contextualized with original essays by architect and scholar Diane Lewis, this volume will inspire interior lovers with the details of this unique and rustic architectural style.
Mark Roskams is a New York-based photographer who specializes in architecture and interior design. His work has been featured in such publications as Elle Décor, Vogue, and the French and Italian editions of Architectural Digest.
Architect Diane Lewis is a Fellow of The American Academy in Rome and Professor of Architecture at The Cooper Union NY. A recipient of the Rome Prize in Architecture, she recently edited the book Inside-Out: Architecture New York City.
Wednesday, June 22 at 6:00pm - August 19 at 5:00pm
John D. Calandra
Italian American Institute
25 West 43rd Street, 17th floor
New York, New York
"Migrating Towers: The Gigli of Nola and Beyond"
Exhibition Opening and Panel Discussion
Wednesday, June 22, 2011, 6 pm
"The Tower's Tale: Sacred Story and the Giglio Feast in Italian Williamsburg"
A conversation with giglio feast participants from the Our Lady of Mt. Carmel parish in Williamsburg, Brooklyn led by folklorists Joseph Sciorra (Calandra Institute) and Kay Turner (Brooklyn Arts Council)
On View June 22 - August 19, 2011
Gallery Summer Hours:
Monday-Thursday, 9 am- 5 pm
The John D. Calandra Italian American Institute is happy to present a photographic exhibition from the collections of the Museo Etnomusicale I Gigli di Nola and the Archivio della Contea Nolana. The exhibit was curated by Katia Ballacchino (Università di Roma, Sapienza) and Felice Ceparano (Museo Etnomusicale I Gigli di Nola).
La festa dei gigli in Nola (Naples province), Campania, is a dramatic reenactment of the safe return of St. Paulinus (354-431) from slavery. The sacred narrative recounts that joyous townspeople greeted bishop Paulinus by waving gigli ("lilies") and by the 19th century, spires representing these flowers and reaching heights of 25 meters (82 feet) were introduced to the annual feast. The eight gigli towers are complex architectural wooden structures built by local artisans, decorated with elaborate papier mâché facades featuring religious, historical, or topical themes. A musical band rides on each individual giglio platform and provides the sonoric accompaniment as the structure is "danced" through the streets.
Since 1903, Italian Americans have sponsored giglio feasts in the New York City metropolitan area. This annual tradition continues in Williamsburg, Brooklyn, and East Harlem, Manhattan.
Free and open to the public. Seating is limited. Please call (212) 642-2094 to pre-register with the Calandra Institute. Be prepared to show a photo ID to the building's concierge.
The exhibition was originally displayed at the Watts Towers Arts Center in Los Angeles as part of the "Watts Towers Common Ground Initiative: Art, Migrations, Development," a conference and a city-wide festival coordinated by Dr. Luisa Del Giudice. It was made possible by a grant from the Italian Consulate of Italy, Los Angeles, and the assistance of the Watts Towers Arts Center and its director Rosie Lee Hooks. Additional photographs by Cono Corvino.
The panel discussion on June 22 is presented in cooperation with the Brooklyn Arts Council as part of "Once Upon a Time in Brooklyn: Traditional Storytellers and Their Tales," a series of public programs exploring the art of traditional narrative and supported by funds from the National Endowment for the Arts, the New York State Council on the Arts, and Con Edison.
Photo by New York Scugnizzo
June 3, 2011
“The Mafia is a human phenomenon and as all human phenomena it has a beginning, an evolution and it will also have an end.” – Giovanni Falcone
‘He [Diogenes of Sinope] used to call the demagogues the lackeys of the people and the crowns awarded to them the efflorescence of fame. He lit a lamp in broad daylight and said, as he went about, "I am looking for a man."’ – Diogenes Laërtius: Lives of the Eminent Philosophers, Book VI (translated by Robert Drew Hicks), Loeb Classical Library, 1925
The American fascination with criminals has always been something of a mystery to me. Criminals rob, rape and murder with impunity, yet somehow the worst of them all too often manage to garner the best press. This is not a recent phenomenon in American history. As far back as the 19th century, “dime novels” chronicled the exploits, real and imagined, of various unsavory types such as Billy the Kid, Jesse James, Cole Younger and the Dolan Gang. Rather than denounce the anti-social proclivities of these sordid characters, more often writers held them up as people to be admired, if not in fact to be emulated.
Perhaps the most stunning example of this was in the case of Bonnie Parker and Clyde Barrow (aka “Bonnie and Clyde”). These two-bit sociopaths, along with their confederates, are known to have murdered nine police officers and several civilians. In spite of this (or perhaps, because of it?), they were celebrated in the press of their time as the modern-day male and female equivalent of Robin Hood (a mythical criminal of English legend).
To make these two vermin more palatable to the hoi polloi, certain key facts (like the staggering number of murders attributed to them) were minimized or even omitted by writers who covered their exploits. Years later, when Hollywood leftist and libertine Warren Beatty brought their saga to the big screen, they were guaranteed virtual immortality as bank robbers extraordinaire! That Bonnie and Clyde spent much more time knocking over liquor stores and rural gas stations than banks, that Bonnie Parker chain-smoked Camel cigarettes (rather than smoke cigars as she was most often depicted as doing) and probably never fired a gun were irrelevant. They were young, unmarried and carefree…in short, they were SEXY!!!
Another curious example of this is found with the Cosa Nostra (i.e. the Mafia). This Sicilian-spawned criminal organization probably found its way to these shores sometime in the late 19th century with waves of immigrants from the ruins of the Kingdom of the Two Sicilies. Beginning with the movie Little Caesar (1931) starring actor Edgar G. Robinson, Americans soon developed a movie-fueled fascination with the Mafia that rivaled any previous love affair they had for home-grown criminals. Unquestionably the best known movies of this type of genre were The Godfather and Godfather Part II starring Marlon Brando and Al Pacino.
Strangely, however, Americans (or rather, Americans of Northern European descent) did not similarly develop a fondness for the people depicted (all too often stereotypically) in these movies. In fact, these movies helped to cement that already wonderfully ubiquitous Anglo-American institution - anti-Italianism.
Thus, on the one hand you had legions of the Great Unwashed of Northern European descent lining up outside movie theatres to gleefully watch the murderous exploits of the members of a Mediterranean crime cartel. On the other hand, you have these same people looking down their aquiline noses at another people, better than 99% of whom have never had anything to do with that criminal organization!
In all fairness, this is not totally their fault. As I have said for years, reality is nothing and perception is everything. Let’s not kid ourselves: most humans simply aren’t that intelligent. I lost count long ago of people who have told me they don’t believe what they see on tv or read in the papers, but the facts speak otherwise. Even in this the so-called Information Age, the overwhelming majority of Americans depend on newspapers and television for their information on the world around them. Most simply cannot grasp the enormous power the mass media has to mold and shape public opinion.
Years ago, the late satirist Art Buchwald, in an article published in the NY Daily News, wrote that anti-Italianism was the last socially acceptable form of ethnic bigotry existing in these United States. It still is, in fact. What one today could never get away with saying or writing about members of other races and ethnic groups one can easily get away with saying about Southern Italians (and especially Sicilians).
Sadly, most members of our people seem little interested in defending against these bigoted attacks. When you stop and think about it, historically speaking, our people have really taken a beating. From the feudalistic exploitations of the Spanish Empire, to the ruinous invasion and conquest of the Risorgimento, and finally to our unsettlement in the Southern Italian Diaspora, few peoples have been put through the ringer as much as ours.
Under the tyranny of the Piedmontese many if not most of us were forced to flee our ancestral homeland or face certain starvation. Here in America, nativists told us it was wrong to call ourselves “hyphenated-Americans”, only to have them then contemptuously refer to us as “guineas”.
“ALL ANIMALS ARE EQUAL
BUT SOME ANIMALS ARE MORE EQUAL THAN OTHERS:”
– George Orwell: Animal Farm, 1945
With all this going against us, is it any wonder Southern Italians developed, what social theorist and political philosopher Thomas Sowell called, a “cultural fatalism?”
To combat this outward bigoted assault against us (and the concomitant collective inferiority complex existing in many of us) it is necessary first to educate ourselves as to the many members of our ethnos who have excelled in the various arts and disciplines. Armed with this knowledge, we can better stand up to those who would relegate us to second-class status. By taking pride in ourselves as a people, we can then take the necessary steps to insure that we as an ethnic group last well into the next century and beyond.
We can start by combating the stereotype of Southern Italians (especially Sicilians) being a “race of gangsters”. This stereotype exists largely by design. It is deliberately perpetuated here in America by a biased movie industry and an acquiescent Southern Italian public. If we took a united stand against the stereotypical gangster movies that come out of Hollywood, they would disappear. To do that we need to demand movies be made of the heroic figures that have come out of i Due Sicilie; men and women whose accomplishments are often recognized elsewhere, but largely ignored here. Few come more heroic than the following.
Giovanni Falcone was born in the Magione district in the city of Palermo, Sicily on May 18th, 1939. His father was Arturo Falcone, director of a provincial chemical laboratory. His mother was Luisa (née Bentivegna), a deeply religious woman. Spending part of his childhood in poverty, Falcone related two horrors he endured as a child: the sight of Mafia violence and destruction of part of the city of Palermo by Allied aerial bombardment during World War 2. The latter ended with the Allied conquest of Sicily; the former would remain and helped to shape his later life.
As he told it, growing up after the war, he was not only forced to endure Mafia violence, but the belief it was invincible. In addition, he was incensed by the pervasive attitude of many Sicilians to deny the reality of the Cosa Nostra, lest they find themselves parroting the views of their rulers in the north regarding the people of Sicily.
Unlike many of his contemporaries, Falcone was fortunate enough (thanks to his father’s improved finances) to receive a classical education. After finishing secondary school, he briefly studied at the Livorno Naval Academy before deciding to embark on a career in law. He graduated from university in 1961 and began to practice law before being appointed a magistrate three years later.
For a time he served as a district magistrate in places like Lentini, Trapani and elsewhere in Sicily. He found the work challenging but rewarding. During this period he witnessed firsthand the stranglehold the Cosa Nostra had on the economic and political infrastructure of his native Sicily. It was also during this time he developed his conviction the Mafia could be weakened and ultimately destroyed. It was also during this time he became close to the man who would share his life’s work and ultimate fate – Paolo Borsellino.
By the late 1960s he had already made a name for himself as a capable and incorruptible anti-Mafia fighter. A senior magistrate, Rocco Chinnici, himself a noted anti-Mafia crusader, appointed Falcone to investigate a bankruptcy case involving shady banker and gangster Michele Sindona. Chinnici believed this case, which also involved a former municipal councilor and high-ranking member of the Christian Democratic Party, was the tip of a much bigger iceberg.
As it turns out he was right! During the 1960s much (but not all) of Palermo damaged during the war was rebuilt. Unfortunately, monies that had been earmarked for this reconstruction from the Marshall Plan and the Cassa per il Mezzogiorno (Italy’s development plan for the South) were mostly stolen by the Mafia and doled out to their compatriots in largely mob-owned construction firms. In addition, corrupt politicians demanded and received kick-backs to grant licenses to these phony construction companies.
The parks, playgrounds, gardens and decorative buildings imagined for Palermo never materialized. Instead, greedy mobsters built ugly, sterile buildings, destroying many historic ones in the process. In addition, large areas of Palermo were left to rot. The mobsters pocketed huge sums of money in the process! This sordid chapter has since come to be known as the Rape of Palermo. Similar scenarios played out across the island of Sicily.
Politicians in the north were aware of this but did nothing! Many, it turns out, were on the Mafia payroll! Others simply dismissed events as being typical of Sicilian corruption (conveniently ignoring the corruption in their own backyard, of course).
Falcone’s investigations turned up a rat’s nest of gangsterism and corruption that permeated the entire island and extended beyond its shores to even America. He was subjected to numerous threats and attempts at bribery but ignored them all. At the conclusion of the investigation, Gaetano Costa, a senior magistrate also assigned to the case, handed down a total of 80 indictments. Tragically, he was murdered shortly afterwards.
Falcone was undeterred! If anything, Costa’s murder cemented his conviction to destroy the Mafia, whatever it took. In 1979 he was made a member of Rocco Chinnici’s select pool of anti-Mafia judges and prosecutors. In addition to Chinnici and Falcone, this group included Paolo Borsellino, Giuseppe Di Lello and Leonardo Guarnotta. He had joined the group shortly after the murder of Boris Guiliano, the head of Palermo’s police force who had been gunned down as he was on the verge of a major breakthrough in his investigations of Mafia corruption.
His murder ushered in a new era of Mafia violence. For decades previously, police and politicians had been untouched by mob violence. As the mob’s heroin trafficking empire grew, however, so did the ruthlessness of its methods to protect the huge profits it was raking in. Falcone realized by this time he was a marked man, but rather than be cowed by it, he bravely continued. He even joked about it. “The thought of my death”, he said, “is not more important to me than the button on my jacket – I’m a true Sicilian”.
In spite of this stoic attitude, his crusade against the Cosa Nostra took a terrific toll on his life. When he married his fiancée Francesca Morvillo (also a magistrate), Falcone had Palermo mayor Leoluca Orlando conduct the ceremony in total secrecy on a Saturday night. No family or friends were present and no photos were taken.
The Mafia’s sanguinary war against incorruptible Sicilian politicians during the 1980s came to be known as the “Years of Lead”. Falcone’s battles with the Mafia were hampered by a lack of resources, financial and otherwise. Rome was stingy with these resources thanks in large part to politicians and industrialists from the north. As mentioned previously, many of them were themselves on the Mafia payroll. Others were too bigoted to believe any good could be expected to come from the South.
Increasing violence due to the so-called Second Mafia War forced Rome’s hand. On May 1st, 1982 Carabinieri General Carlo Alberto Dalla Chiesa was appointed Prefect of Palermo to stop the violence. He had earlier made a name for himself successfully battling the Brigate Rosse (It: Red Brigades), an ultra-violent, ultra-leftist terrorist organization based in Northern Italy. Dalla Chiesa had been sent to Palermo with orders to crush the Mafia. He had been there scarcely 100 days when he was himself killed along with his young wife and their driver. The order for Dalla Chiesa’s murder was given by Salvatore “The Beast” Riina, head of the Corleonesi faction of the Sicilian Mafia.
At the General’s funeral, politicians from Rome and Palermo who attended were jeered and spat upon by hundreds of enraged Sicilians who (rightfully) blamed them for the Mafia’s unchecked reign of the island. Those who viewed this sight on Italian tv witnessed the end of a cherished anti-Sicilian myth – that Sicilians loved the Mafia. In truth, they hated and feared it, but thanks to the apathy and corruption of the politicos of the pseudo-state of Italy, were powerless against it!
Returning to Rome red-faced from this debacle, Italian government officials finally offered Falcone and other members of the anti-Mafia group the resources they desperately needed. Falcone, in the meantime, had come up with an innovative technique to break the back of the Cosa Nostra, a technique he called “following the money trail” to help build cases against the mobsters and their corrupt cohorts. It was also Falcone who came up with the idea of arresting and trying large numbers of Mafiosi at a time, in order to chip away at the organization by making it easier to encourage members to turn state’s evidence. This technique would be copied with equal effectiveness here in the United States by famed prosecutor Rudolph Giuliani.
In the meantime, though, Mafia thugs were busy trying their best to murder as many anti-Mafia politicians, police officers and journalists as possible, before the government could drop its iron heel on their collective throats.
Rocco Chinnici was murdered by a car bomb on July 29th, 1983 along with two of his bodyguards and the concierge of his apartment block.
On January 5th, 1984 Giuseppe Fava, an investigative journalist and publisher of the anti-Mafia magazine I Siciliani, was gunned down while waiting to pick up his granddaughter, who was rehearsing for a part in a theatre comedy.
Antonino “Nini” Cassarà, a police chief in Palermo, was murdered along with his bodyguard. It was Cassarà who drew up ‘Michele Greco + 161’ report of 162 Mafiosi he felt warranted arrest. This report would form the basis of what was to become the famous “Maxi Trial” in Palermo. Cassarà was brutally gunned down outside his home by a team of over a dozen gunmen in front of his horrified wife!
The list, sadly, goes on, too long for me to list them all here. The blood of these martyrs for Justice is on the hands of their Mafia murderers, corrupt politicians in Palermo and Rome, as well as the greedy industrialists of the “Iron Triangle” in the north of Italy. May they all rot in Hell!
After Chinnici’s murder, Antonino Caponnetto became head of the Anti-Mafia Pool. Shortly after this, Italy (incredibly), for the first time in decades, passed a law making being a member of a Mafia-type organization a crime, punishable by imprisonment and confiscation of property. Such a law had not existed since the Fascist era. The law had earlier been proposed by one Pio La Torre, a Sicilian official of the Italian Communist Party (who naturally was later murdered by the Mafia for having the audacity to propose such a law).
The law gave the Anti-Mafia Pool a new and powerful weapon in its war against the Cosa Nostra. Now, the government could not only imprison convicted Mafiosi, they could bankrupt them as well! The clincher came with the arrest in Brazil of one Tommaso Buscetta in 1983. Buscetta, a major figure in the Sicilian Mafia, had grown tired of life ‘on the run’ and decided to turn informant (It: pentito) against his former mob cohorts.
With all the evidence they had thus amassed, Giovanni Falcone and his comrades launched the largest anti-Mafia trial in Italian history; the famed “Maxi Trial” (It: Maxiprocesso). The trial, several years in planning, began on February 10th, 1986. It involved a total of 474 defendants charged (119 in absentia) with, among other things, a total of 120 murders, along with numerous counts of narcotics trafficking. The presiding judge was Alfonso Giordano who was flanked by two “alternates” (in case the Mafia was able to get to Giordano). The chief prosecutor was Giovanni Falcone. The trial took place in a concrete-reinforced bunker next to the Ucciardone Prison in Palermo.
A few months earlier, across the Atlantic, Rudolph Giuliani and the U.S. Justice Dept. had launched a similar series of trials against American Mafiosi. Dubbed “the Pizza Connection Trial” by the American press, the two series of trials represented a major disruption in operations between the American and Sicilian Mafias. The governments of Italy and America cooperated closely to secure the maximum possible number of convictions. The Maxi Trial represented both Giovanni Falcone and Paolo Borsellino’s finest hour, but it also sealed their fate, for Tommaso Buscetta warned them the Mafia would now stop at nothing to kill them!
The trial ended on December 16th, 1987. It took an hour to read through all the verdicts. Of the 474 tried, 360 were convicted. Many received lengthy prison sentences. In 1988 Giovanni Falcone again worked closely with Rudolph Giuliani during the latter’s handling of operations against the Gambino and Inzerillo crime families here in the United States.
Falcone’s success in taking on the Sicilian Mafia did not give him any illusions about Tommaso Buscetta’s warning. Sometime after the end of the Maxi Trial he confided to a friend, “My life is mapped out: it is my destiny to take a bullet by the Mafia some day. The only thing I don't know is when.”
Sadly, that “when” came on May 23rd, 1992. Salvatore “The Beast” Riina had given the order to take out Falcone. While driving to Palermo International Airport, Giovanni Falcone, along with his wife and three bodyguards were blown to smithereens by a powerful, remotely-controlled bomb that had been placed in the roadway. It was reported that afterwards, Riina threw a party and drank champagne to toast the murder of his better. Less than two months after Falcone’s murder, his dear friend and colleague Paolo Borsellino would also be murdered in a car bomb attack like Rocco Chinnici.
Salvatore Riina’s celebration would not last long. The national outrage sparked by these horrific murders again caused the government to move in force against the Mafia. Riina is now serving a life sentence for sanctioning both killings.
Dear reader, I do not know your feelings on the subject, but I cannot for the life of me fathom the need to keep scum like Salvatore Riina alive at public expense. The specter of a hug in the cold, awaiting arms of Madame Gallows would probably do much to rid our people of the pernicious influence of murderous gangsters. Italy needs a death penalty! Sadly, the draconian excesses of the Fascist era plus decades of the enervating effects of Democratic Socialism seem to have robbed not just the peoples of Italy, but of Europe of the determination to meet out justice where needed.
Since his murder, Giovanni Falcone’s name survives as a beacon of hope to those who battle the twin evil monsters of Gangsterism and Corruption. Palermo International Airport is now named Falcone-Borsellino Airport in honor of the courageous duo. Falcone’s fame is not limited to Italy, however.
After his murder, the Train Foundation posthumously awarded Falcone its Civil Courage Prize in recognition of his "steadfast resistance to evil at great personal risk." The Instituto Brasileiro Giovanni Falcone (Port: Giovanni Falcone Institute of Criminal Sciences) in Brasilia, Brazil is named in honor of him.
It is people like these, my friends, we should be honoring and admiring, for they are the truest and noblest specimens of our ethnos. We should shun the televised and cinematic swill that brings us things like True Romance and Jersey Shore. Instead, all too often, our people here in America, like the rest of the Great Unwashed, line up lemming-like for their dose of anti-Southern Italian bigotry, courtesy of the big and small screen. Something is seriously wrong with that picture.
• Alexander Stille: Excellent Cadavers: The Mafia and the Death of the First Italian Republic, First Vintage Books, 1995