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| (L) Ida Rubinstein as Le Trajet (The Crossing) and (R) Femme avec des fleurs (Spring) |
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| Ida Rubinstein, ca. 1911, by Howard Gardiner Cushing |
Ida Rubinstein, the woman who would become Brooks’s great muse, lover, and subject in Spring, had already shared a famous artistic and personal relationship with D’Annunzio, performing the title role in his scandalous Le Martyre de Saint Sébastien in Paris, which Catholics were forbidden to attend under threat of excommunication.
In 2024, at the Morgan Library’s Crafting the Ballets Russes: The Robert Owen Lehman Collection, I had already encountered Rubinstein as Saint Sebastian in Léon Bakst’s illustration for D’Annunzio’s play, displayed alongside a portrait of her by Howard Gardiner Cushing.
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| Ida Rubinstein as St. Sebastian by Léon Bakst |
Perhaps it is merely another coincidence, but none of these connections had occurred to me when I first opened the catalogue. Still, after Tamara de Lempicka, the encounter at the Morgan, and now Romaine Brooks, Il Vate seems remarkably unwilling to fade away.
~ By Giovanni di Napoli, October 1st, Feast of St. Remigius


