August 25, 2011

Feast of Santa Patrizia di Costantinopoli

Santa Patrizia, ora pro nobis
Pocket reliquary with second-class relic
August 25th is the feast of Santa Patrizia di Costantinopoli, Virgin, Nun and one of the 52 co-patrons of Naples. Each year the faithful gather at the Chiesa di San Gregorio Armeno to venerate the saint and view the miraculous liquefaction of her coagulated blood. The church, believed to have been built on the site of the Roman Temple of Ceres by St. Helen of the Cross (c. 246-330 AD), underwent several significant renovations over the centuries and is the latest resting place of Santa Patrizia’s relics.

Interestingly, the popular legend of Santa Patrizia has become conflated with that of Siren Parthenope (the mythical founder of Naples) in what has been described as a Christian "refounding" of the city. In Virgil's Golden Egg and other Neapolitan Miracles (Transaction Publishers, 2011) Michael A. Ledeen writes:

The creative genius of Neapolitan chaos juxtaposes and merges the two female archetypes, and tosses in an element of ancient sorcery for piquancy. Both Parthenope and Saint Patrizia are virgins and have noble ancestry. Both have power to control natural elements. Both came from the East and died on the shores of the Gulf of Naples. Patrizia landed on the island of Megaride, where Virgil cast his saving spell on the Castel dell'Ovo, where the ancient Cumans built the first Neapolitan buildings, and where they believed Parthenope arrived, dead or dying. And in the seventeenth century, at the height of the Baroque, the body of Saint Patrizia was carried to a monastery atop the hill of Caponapoli, where, centuries earlier, the tomb of Parthenope was located. Patrizia was proclaimed a patron saint of Naples from Parthenope's old temple. (p. 38-39)
It should be noted that Parthenope herself is a synthesis of the ancient Greek myth about the deadly enchantress who failed to seduce Odysseus (Ulysses) and the charming medieval love story between Cimone and the chaste princess from Greece, whose "finite brow of a goddess" and "huge black eyes" were said to resemble the vigorous beauty of Juno and Minerva. The tale is eloquently retold in Matilde Serao's Leggende napoletane (Neapolitan legends).

Fontana della Sirena (Fountain of the Siren)
Piazza Sannazaro, Napoli
Although less known than the miracle of San Gennaro, the liquefaction of Santa Patrizia's blood is no less important. As John A. Marino pointed out in his Becoming Neapolitan (Johns Hopkins University Press, 2011):
Saints bodies in life and after death were considered to have efficacious healing powers, and their blood was believed to be able to transmit grace and virtue, a symbolism that connected aristocratic values and noble blood to the religious fervor of saintly virtue. (p. 204-205) 
This ancient cult of the blood is peculiarly Neapolitan and still resonates with the devoted people of Naples today.

According to tradition, Santa Patrizia was born in the mid-seventh century. She was the niece of Emperor Constans II (630-668 AD) and was educated at the Imperial Court of Constantinople. Extremely pious, the Byzantine princess dedicated her life to God, taking a vow of celibacy. Ordained a nun, Patrizia was invested with the veil of virginity. Her father had other ideas and arranged for her to marry a powerful nobleman. With the help of Aglaia, her loyal maidservant, the young maiden fled to Rome seeking refuge from the unwanted nuptials.
Coat-of-Arms, Naples
An alternate tradition puts her birth around 340 AD and claims she was the niece of Constantine the Great (272-337 AD). Further complicating things, she is sometimes included in the story of the Emperor's visit to Naples in 324 AD. Caught in a storm, Constantine and his daughter Constance vowed to build a church if their endangered ship reached safely to port. In gratitude for answering their prayers they founded the Chiesa di San Giovanni Maggiore in honor of St. John and St. Lucy. As a side note, the gold and red coat-of-arms of Naples is said (by some) to originate from the standards used to welcome the Imperial family to the city.

In 668 AD Mezezius the usurper assassinated Constans II in Syracuse for attempting to relocate the Empire’s capital to Sicily. Learning of her uncle's murder Patrizia returned to Constantinople to renounce her temporal titles and worldly possessions. Distributing her inheritance to the poor, she inspired other noblewomen to do the same. Before returning to Rome she made a pilgrimage to Jerusalem, visiting many sacred sites. It is said she possessed a fragment of the True Cross, hair and milk of the Virgin, skin and blood of St. Bartholomew, and a blood-stained nail from the Crucifixion, which she wore on her right sleeve and reportedly turned blood red every Good Friday. The sacred relics were passed down from St. Helen, mother of Emperor Constantine.

On her journey back to the Eternal City a violent storm shipwrecked her vessel off the coast of Megaride, an islet in the Bay of Naples. Patrizia and her retinue were given shelter by the island's monks, but after a brief stay in the Neapolitan Duchy the virgin grew ill and died. She was buried at Castrum Lucullanum, an old Roman villa converted into a Basilian monastery and site of the modern-day Castel dell'Ovo (Castle of the egg).

Castel dell'Ovo, Megaride
It is said that Patrizia visited Aglaia in a dream to reveal the site of a underground spring in the gardens of the Chiesa dei Santi Nicandro e Marciano (Church of Saints Nicandro and Marciano), an ancient house of worship believed to have been built on the temple and tomb of the siren Parthenope. A well was excavated, bringing much needed relief to the arid district. With the support of the grateful Duke of Naples, Aglaia and her retainers founded a monastery in honor of their mistress.

During the ninth century, fear of Saracen raids forced the Neapolitans to move the treasures of Megaride inland to safer locations. The train of oxen pulling Patrizia's hearse through the city streets instinctively stopped outside the Chiesa dei Santi Nicandro e Marciano and would go no further. It was decided she would be interred there. The monastery has since been commonly known as the Chiesa di Santa Patrizia (Church of Saint Patricia).

The miracle of the blood is said to be over twelve-hundred-years-old, but the oldest record of the phenomenon dates back 'only' to the sixteenth-century (1570). As the story goes, a sick nobleman was miraculously healed while praying at her shrine. Desiring a personal relic, the greedy pilgrim pulled a tooth from her skull causing blood to flow from the empty cavity. Collected in two ampullae the blood is said to liquefy on her feast day (August 25th) and every Tuesday morning. In 1626 she was declared a patron saint of Naples to help ward off calamities. In 1864, a few years after the conquest of the Kingdom of the Two Sicilies, her reliquary was translated to the Church of St. Gregory of Armenia after the convent church of Saint Patricia was closed down and confiscated by the new Italian government.

In celebration, I’m posting a prayer to Santa Patrizia in Italian. Evviva Santa Patrizia!

Preghiera a Santa Patrizia

O prodigiosa Vergine Santa Patrizia, mia avvocata e protettrice, che negli ultimi momenti della vostra vita otteneste da Gesù consiglio e divina protezione a tutti coloro che a voi si rivolgessero per aiuto, ottenetemi da Dio la salute dell’anima e del corpo, la vittoria sul Demonio e sulle passioni; allontanate le avversità che mi circondano, consolatemi nelle presenti tribolazioni. Ottenetemi il perdono dei peccati e l’ingresso nel regno del Cielo. Siate porto di salvezza ai naviganti e tutela alla nostra città. Diffondete speciale patrocinio sopra di me e su tutti i vostri devoti, affinché il nome santo di Dio sia benedetto, glorificato, esaltato e lodato da tutti nei secoli dei secoli. Così sia

~ Giovanni di Napoli, August 24th, Feast of Sant’Audeno (updated 2021)

Bibliography:
• Naples From Roman Town To City-State by Paul Arthur, The British School at Rome, 2002
• Virgil's Golden Egg and other Neapolitan Miracles by Michael A. Ledeen, Transaction Publishers, 2011
• Leggende napoletane (Neapolitan legends) by Matilde Serao (translated by Jo Di Martino), Lettere Italiane Guida, 2003
• Becoming Neapolitan by John A. Marino, Johns Hopkins University Press, 2011
• The Cronica di Partenope by Samantha Kelly, Brill, 2011
• The Matter of Miracles: Neapolitan Baroque Architecture and Sanctity by Helen Hills, Manchester University Press, 2016