December 21, 2009

El Greco at the Onassis Cultural Center

I recently had the pleasure of visiting the Onassis Cultural Center (Olympic Tower Atrium, 645 Fifth Avenue) in Manhattan to view their latest exhibit, The Origins of El Greco: Icon Painting in Venetian Crete.

A huge fan of El Greco (Domenikos Theotokopoulos), I couldn't wait to see the exhibit. Despite the fact that I had up to February 27, 2010, to do so, I braved the cold weather and made my way through the hoards of tourists and frantic Christmas shoppers to visit the gallery as soon as possible.

The collection is primarily made up of El Greco's early iconic work. Anyone vaguely familiar with the Cretan master's characteristic style, which was a blending of Late Byzantine and Italian Mannerism, can't help but notice the contrast between his early years and his time in Toledo, Spain. The inclusion of The Coronation of the Virgin in the exhibit highlighted the stark differences between his early and later work.

I was pleasantly surprised to learn that the exhibit included the works of other 16th-century Cretan painters as well, among them Georgios Klontzas and Michael Damaskenos.

One particular piece that stood out to me was the beautiful Saint Demetrios on Horseback by Donatos Bitzamanos. Although Donatos was from Heraklion, Crete, the painting originates from Otranto, in Southern Italy, where he and his uncle (or brother), Angelos Bitzamanos, were known to have worked.

On loan from The State Hermitage Museum, the painting depicts St. Demetrios slaying Tsar Kalojan of Bulgaria. St. Demetrios was martyred in the fourth century in Thessaloniki but legend has it that the saint killed Kalojan during the siege of 1207. According to the book catalogue the icon was made for personal devotion and that, 
"The choice of subject indicates that the patron came from Thessalonki and hoped that Saint Demetrios would help him destroy his enemies, just as he himself had killed Tsar Kalojan."
I encourage anyone with a general interest in European art, and Hellenic art in particular, to visit the OCC. This prestigious institution is committed to promoting Hellenic culture, and thanks to the professionalism and high quality of its exhibits (past and present) has earned a great reputation as one of New York City's premier cultural treasures. With free admission, it's a must visit.

~ Giovanni di Napoli, December 20th, Feast of St. Dominic of Silos

Further reading: The Origins of El Greco: Icon Painting in Venetian Crete, edited by Anastasia Drandaki, published by the Alexander S. Onassis Public Benefit Foundation (USA), 2009.