October 31, 2023

Triduum in Honor of Sant’Uberto di Liegi

Sant'Uberto di Liegi, ora pro nobis
Join us spiritually by privately praying this Triduum (three days of prayer) from October 31st to November 2nd in preparation for the Feast of Sant’Uberto di Liegi on November 3rd. Evviva Sant'Uberto!
Dear Lord, we thank You for giving us St. Hubert as an example of holiness. Help us to imitate the devotion to You he began to grow in after the loss of his wife.

St. Hubert, you grew up immersed in courtly life and concerned with many worldly things. After the death of your wife, you became devoted to hunting. But you soon opened yourself up to God’s call in your life.

Please bring my petitions before the throne of God!

It is said that you heard a voice telling you to repent and to change your life, in order to avoid hell. You immediately set about devoting your life to God.

Pray for me, that I may be as eager to devote my life to God as you were. Pray that I may grow each day in my devotion to God.

Please also pray for (mention your intentions here).

St. Hubert, pray for us!

October 30, 2023

First Class Relics of the Saints Venerated in the Church of St. Rita, Staten Island, New York

Photos courtesy of Fr. Eugene Carrella
In anticipation of the Feast of All Saints, First Class relics of the Saints venerated in the Church of St. Rita (281 Bradley Avenue), Staten Island, New York. The display will remain until Sunday, November 5th, the Feast of the Holy Relics.

October 28, 2023

New Book — Sparta’s Sicilian Proxy War: The Grand Strategy of Classical Sparta, 418-413 B.C.

New title that may be of interest to our readers. Available at Amazon.com


Sparta’s Sicilian Proxy War: The Grand Strategy of Classical Sparta, 418-413 B.C. by Jo Paul A. Rahe

Publisher: Encounter Books
Publication Date: September 26, 2023
Hardcover: $34.99
Language: English
Pages: 376

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October 27, 2023

A Prayer for Lewiston, Maine

Maria Regina degli Angeli, ora pro nobis
Our thoughts and prayers go out to the victims of the horrific mass shootings in Lewiston, Maine, Wednesday evening and their families. May Santa Giovanna Francesca de Chantal, Santi Pietro e Paolo, and Maria Regina Degli Angeli protect and watch over you.
Prayer for the victims

Loving God, welcome into your arms the victims of violence and terrorism. Comfort their families and all who grieve for them. Help us in our fear and uncertainty, and bless us with the knowledge that we are secure in your love. Strengthen all those who work for peace, and may the peace the world cannot give reign in our hearts. Amen.

October 26, 2023

Newly Acquired Testa di Moro from Santo Stefano di Camastra, Sicily

At long last, I finally acquired my very own testa di moro, or Moor's Head, traditional decorative planters based on Romantic Sicilian folklore. Available in different designs, sizes and colors at L'angolo di Palermo (7801 3rd Ave.) in Bay Ridge, Brooklyn, the beautiful hand-painted ceramics were imported from Santo Stefano di Camastra, Sicily.

An Interview with Raymond Guarini, Executive Director of the Italian Enclaves Historical Society

Il Regno had the opportunity to sit down and talk with Raymond Guarini, founder and Executive Director of the Italian Enclaves Historical Society (IEHS), to discuss its history and mission. The IEHS can be found at www.italianenclaves.org and various social media platforms.
Il Regno: We appreciate you taking time from your busy schedule to answer our questions. First, can you tell our readers a little about yourself?

Raymond Guarini: Thank you for giving me the time to chat about myself and the Italian Enclaves Historical Society with you. I am 43 years old. I am a Brooklyn native living in Staten Island—something you've probably never heard of before. I have a 12-year-old son and a 2-year-old dog. I have worked in finance for 20 years. I am passionate about my faith and my heritage.

IR: What is the Italian Enclaves Historical Society?

RG:
The organization was founded by me almost 5 years ago. I began exploring different Italian-American neighborhoods around the country and was photo-documenting them along the way. I decided to create Facebook and Instagram pages to showcase the visual nuances of Italian neighborhoods, or as we refer to them, enclaves. The pages became so popular that they took on lives of their own. I became so obsessed with documenting each neighborhood, that we now have over 700 enclaves and over 500 churches. We created a living document which is on a shared Google Drive that board members can update whenever we discover new places and obtain new information. Constantly growing and expanding, we recently added Canadian enclaves and churches to our database.

IR: How did the IEHS come about?

RG: I realized that my hobby of cataloging enclaves and churches was way too tall of a task to complete alone. Due to the sheer volume of information and locations, it also became clear that this venture would be expensive. So, with the help of one of our original members, I created an actual entity with nonprofit status that could be utilized as an online and in-person educational resource wherever we could.

IR: What are the biggest challenges you face and how do you overcome them?

RG: Our biggest challenges are twofold. On one hand, the workflow is just very difficult to keep consistent. We are a volunteer organization. We are sort of still a startup with very limited resources, so it is difficult to accumulate writing regarding something so esoteric regardless of how dedicated our board members might be. It takes a great deal of time and energy to coordinate our Google Drive documents, which are spreadsheets, with our Word documents, which contain the details about each enclave and church. The project is somewhat intimidating because there are so many places that require more information and they are to a certain degree under the radar.

The other challenge is funding. To properly execute this undertaking, we had to spend quite a bit of money to hire freelancers who possess the proper skillsets to help us migrate the information onto our website. We are lucky that our expenses are not overwhelming, but we would like to be able to raise more funds to speed up the process so that we can focus on other projects and disseminate our information in more efficient and interesting ways.

IR: What are the most rewarding aspects of your work?

RG: The greatest reward is the positive reactions we get from people whenever we discover a place that was lost in obscurity and share it on one of our social media pages. It is very rewarding for me to be able to see these places in person. Not only does it help me really identify with a lost time period, but also in many cases with lost virtues. Community and family were once paramount, and it seems as if our society today has lost sight of the basics that built what we all take for granted.

IR: What plans does the society have for the future?

RG: We will continue adding newly discovered content to our website. That is one of our biggest priorities. In addition to that, we would love to start a YouTube channel with more visual content and be able to disseminate more documentary-type content. We would also like to utilize Virtual Reality technology. Not so much Metaverse, as that medium is still dicey, but a static software application utilizing VR to incorporate the visual elements of the places we research.

IR: Is the IEHS a membership group? How can people join or help the society?

RG: Yes, individuals can join. Students can join for a discounted annual membership. We urge Italian-American Businesses to join as well so we can share their content on our social media channels and help shed light on lesser-known mom-and-pop shops that still haven't fully harnessed social media. Membership funds are extremely important for us to continue gathering and disseminating information. [The link to become a member is: https://italianenclaves.org/membership/]

IR: Thank you for talking with us; any last thoughts?

RG: The pleasure is all mine, thank you. I would like to encourage people to follow us on social media: @italianenclaves

Please take photos of everything: Your family, your family's traditions, and any visual elements of your family story. Video record them as well. The historical value and appreciation will be the fruits of tomorrow's inquisitive minds as to how we once lived.

October 23, 2023

Roma Amor

The Colosseum in 2010

“All right, but apart from the sanitation, the medicine, education, wine, public order, irrigation, roads, a fresh water system, and public health, what have the Romans ever done for us?”

“Brought peace.”


~ Scene 10: Before the Romans Things Were Smelly from Monty Python’s Life of Brian (1979).
I’m a little late to the game, but there is a fascinating trend online asking men, “How often do you think about the Roman Empire?” From what I understand, it went viral on TikTok in September 2023 but the question actually dates back to 2022 when a Swedish feminist genuinely wanted to know what men normally think about. To her surprise, many said the Roman Empire.

I don’t use that app, but the question eventually made its way to Elon Musk’s X and it got me thinking about how often I think about the Roman Empire. In all earnestness and without the least bit of exaggeration, I would have to say I think about it every day and the reasons are manifold.
My friends and I collect coins. This silver Denarius, minted by Julius Caesar in 48-46 BC, depicts the goddess Venus on the obverse and Aeneas, the founder of Rome, carrying his father on the reverse. It was a birthday gift for a friend
For starters, the Roman Empire is intertwined with my Roman Catholic faith, of which I attend the Traditional Latin Mass. Deeply religious, it comes up in my daily meditations on the Crucifixion of Our Lord Jesus Christ and the lives and martyrdom of countless saints, including many Roman legionaries. St. Achatius, St. Expeditus, St. Longinus, and St. Maurice are but a few. Some of the more illustrious imperial figures include St. Patricia of Naples, Emperor Justinian I, Emperor Constantine the Great and his mother St. Helena of the Cross. The importance of the Empire in spreading the Faith throughout Europe cannot be overstated. 
(L) Young boys dressed as Roman legionaries during the reenactment of the life and martyrdom of Santa Fortunata during the Feast of Santa Fortunata in Bensonhurst, Brooklyn, in 2014. (R) Cavaliere of the Sacred Military Constantinian Order of St. George with labarum, Emperor Constantine the Great's imperial standard, during the Feast of St. George at the Basilica of St. Patrick's Old Cathedral in Lower Manhattan, in New York City, in 2018 
Secondly, as a Southern Italian, my remote ancestors—Samnites, Italiotes, et cetera—were some of Rome’s staunchest enemies. Eventually conquered and incorporated into the Empire, this means I’m also descended from Roman citizens and/or slaves. The Empire is a part of my heritage and ethnic background—two things I’m very interested in.

As an American, we see Roman influences (political and aesthetic) everywhere. A self-styled “Third Rome,” Classical architecture (domes and columns) and symbols (eagles and fasces) adorn our government buildings, national parks and monuments. Early America even used Latin terms and mottos, such as “Pax Americana” (American Peace) and “E pluribus unum” (out of many, one) to add weight and gravitas to them. Until recently, Latin was the language of scholarship, law, and the Church.

Gaius Mucius Scaevola Confronting King Porsenna, c. 1650, oil on copper, Bernardo Cavallino (Naples 1616-1656), Kimbell Art Museum, Fort Worth, Texas
Thirdly, I’m a European history buff and aesthete. My parents instilled in me a healthy appreciation for the Classics and art, and many of my hobbies and interests have some connections with the Empire. First off, I enjoy reading Greco-Roman mythology and philosophy, especially the stoics (e.g. Emperor Marcus Aurelius). Since I was a child, I’ve been enthralled with their myths and legends, both in art and literature. Among my favorites are the heroic sacrifices of Marcus Curtius [1] and Gaius Mucius Scaevola, [2] the Abduction of the Sabine Women, and the Capitoline She-Wolf nursing Romulus and Remus.

During the Palio di Siena in 2007, I chose the Lupa as my contrada (district) solely because their coat-of-arms is the She-Wolf. If I knew at the time Garibaldi awarded them a photo of himself in 1867 after their victory, I definitely would have picked the Aquila district instead. After the race, I learned their imperial eagle device was bestowed by Holy Roman Emperor Charles V in 1536. 


For the record, the Leocorno district won the Palio that year, but I digress.

(L-R) Column of the She-Wolf and Contrada Aquila flag with the imperial double-headed black eagle holding a sword and orb in Siena, Tuscany, 2007

Lucky to have like-minded friends, I can’t begin to tell you how often our bull sessions stray off-topic and onto more interesting subject matters, which in many cases means Ancient Rome. Covering a wide array of topics, these discussions can range from the death of Julius Caesar (Ides of March); to Virgil’s epic poem The Aeneid, to the Latin rite of Devotio. [3] 


I confess that some connections are more tenuous than others. For example, I enjoy the stories of the legendary Sword and Sorcery writer Robert E. Howard and one of my favorite fictional characters is his Bran Mak Morn, a heroic Pictish chieftain and implacable enemy of Rome. Also a fan of the Arthurian literary cycle (Matter of Britain), it turns out the historical King Arthur may have been a Roman knight (eques) from Campania by the name of Lucius Artorius Castus. [4]

(L) Bran Mak Morn: The Last King (2005) by Robert E. Howard.
(R) From Scythia to Camelot (2000) by C. Scott Littleton and Linda A. Malcor
Speaking of Britain, I’ve seen variations of the question that switched out the Roman Empire with the British Empire. With all due respect to “the empire on which the sun never set,” or any other substitution one wishes to make, none can match the legacy of the Romans. I’m not saying the others were not influential or impressive in their own right, just that they are not as omnipresent as Imperium Romanum. For me, the only one that comes close is Ancient Greece, but that query is for another day.
(L-R) Belvedere Apollo, 2nd century, marble, Roman copy of Greek bronze, and Laocoön and His Sons, marble, date uncertain, Vatican Museum, 2010
Next, I have many fond memories of visiting the Eternal City and beholding the ruins of the once-great Empire in person. Who could ever forget entering the Colosseum or walking through the Arch of Titus? Who could not be impressed by the Forum, the Pantheon, the Palatine Hill, or the Baths of Caracalla? Who could not be moved by the grandeur of St. Peter’s Basilica and the Mvsei Vaticani (Vatican Museum) and its incomparable collection of ancient Roman artifacts? Let’s not forget the Appian Way, the Arch of Constantine, the Circus Maximus, or for that matter the many world-famous sites and museums across Italy, such as Pompeii, Paestum, and the renowned Farnese collection at the National Archaeological Museum of Naples.
The Pantheon in 2007
(L) The Pantheon's dome. (R) Detail of the Arch of Titus in 2007

The Triumphal Frieze of the Arch of Titus in 2010
(L) The Blue Vase, Imperial Roman cameo glass discovered in Pompeii on 29 December 1837. (R) The Farnese Bull is a Roman copy of a Hellenistic sculpture. It was unearthed in 1546 in the gymnasium of the Baths of Caracalla. Both masterpieces are housed in the Museo Archeologico Nazionale di Napoli
Finally, as a cultural pessimist, it is only logical that I make comparisons between America’s decadence and inevitable decline with the fall of the Roman Empire. While comparisons to Weimar Germany are common, and not totally without merit, I believe the correlation with the collapse of Rome is far more apt. If we draw parallels, we see American hegemony weakening; the escalation of racial, religious and political Balkanization; the movement of peoples; declining birthrates; corruption; perpetual war; currency debasement; and a serious lack of civilizational confidence; drawing us ever closer to the brink.
Two of Hollywood's less flattering portrayals of Ancient Rome: (L-R) Filmmaker Mel Brooks' raunchy comedy History of the World Part I (1981) and Caligula, a pornographic historical drama starring Malcolm Mc Dowell as "little boots" Emperor Gaius Julius Caesar Augustus Germanicus (1979)
Rome is ever-present. Whether you realize it or not, its ubiquitous influence is felt by all. We can thank them for engineering and architectural marvels, the Latin Alphabet, the Julian calendar, the Romance languages and so much more. It continues to inspire popular culture, even if modern creators don’t always treat their subject with the respect and appreciation it deserves.

Museum exhibits abound. There are books galore (e.g. The Decline and Fall of the Roman Empire, Edward Gibbon, 1776). There are plays (e.g. Shakespeare’s Titus Andronicus, 1593 and Julius Caesar, 1599); television series (e.g. I, Claudius, 1976); and untold Hollywood films (e.g. Spartacus, 1960; Caligula, 1979; Life of Brian, 1979; Titus, 1999; Gladiator, 2000). Heck, there is even Caesars Palace Casino in Las Vegas, Nevada.

For better or worse, the ancient Romans have left their mark on our world and it should be no surprise that so many men think about it. The fact that more don’t is shocking. While I don’t expect the average Westerner to think about the Roman Empire as often as I do, one would have to be completely out of touch with reality to never consider it. Roma Invicta [5]

~ Giovanni di Napoli, October 22nd, the Feast of San Vincenzo Martire di Craco, Legionnaire and Martyr

Appendix – A few popular sayings:
• All roads lead to Rome.
• Rome wasn’t built in a day.
• When in Rome, do as the Romans do.
• To fiddle while Rome burns.
• Crossing the Rubicon.
Carpe diem (Seize the day).

Notes:
[1] According to legend, a great chasm opened in the Forum and was threatening to swallow Rome. An augur claimed that the gods demanded the most precious possession of Rome as a sacrifice. While the Romans debated on what that was, the knight (eques) Marcus Curtius admonished them for not realizing that it was Rome’s military might and valor. Dressed in full regalia, Marcus Curtius selflessly charged his horse into the abyss, and the earth closed behind him, thus saving the Eternal City.

[2] During the Etruscan siege of Rome (Etruscan-Roman Wars), Gaius Mucius Scaevola slips into the enemy’s camp to assassinate King Porsenna. Killing the wrong target, the Roman was captured and brought before the king. Showing contempt for pain and torture Scaevola thrust his right hand into a burning brazier and warned the king that there were three hundred other Romans who vowed to kill him. Shocked by the man’s fervid devotion, King Porsenna set him free and wisely sued for peace with Rome.

[3] Devotio was a ritual and vow to sacrifice oneself in battle in exchange for victory over one’s enemy.

[4] From Scythia to Camelot by C. Scott Littleton and Linda A. Malcor, Routledge, 2nd Edition, 2000.

[5] Unconquered Rome.

October 22, 2023

New Music — Mercadante: Music for Solo Flute

New music that may be of interest to our readers.


Mercadante: Music for Solo Flute performed by Laura Trapani

Label: Brilliant Classics
Release Date: June 13, 2023
Audio CD: $12.99
Number of Discs: 1

Available at Amazon.com

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October 20, 2023

New Book — Rome’s Sicilian Slave Wars: The Revolts of Eunus and Salvius, 136-132 and 105-100 BC

Forthcoming title that may be of interest to our readers. Available at Amazon.com


Rome’s Sicilian Slave Wars: The Revolts of Eunus and Salvius, 136-132 and 105-100 BC by Natale Barca

Publisher: Pen and Sword Military
Publication Date: March 30, 2024
Paperback: $26.95
Language: English
Pages: 272

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October 18, 2023

Ponderable Quote from "Democracy in America" by Alexis De Tocqueville

Portrait of Alexis De Tocqueville
by Théodore Chassériau (1850)

As each class closes up to the others and merges with them, its members become indifferent to each other and treat each other as strangers. Aristocracy had created a long chain of citizens from the peasant to the king; democracy breaks down this chain and separates all the links.


As social equality spreads, a greater number of individuals are no longer rich or powerful enough to exercise great influence upon the fate of their fellows, but have acquired or have preserved sufficient understanding and wealth to be able to satisfy their own needs. Such people owe nothing to anyone and, as it were, expect nothing from anyone. They are used to considering themselves in isolation and quite willingly imagine their destiny as entirely in their own hands.


Thus, not only does democracy make men forget their ancestors but also hides their descendants and keeps them apart from their fellows. It constantly brings them back to themselves and threatens in the end to imprison them in the isolation of their own hearts.

* Reprinted from Democracy in America and Two Essays on America by Alexis De Tocqueville, Penguin, 2003, p. 589

October 17, 2023

Around the Web — The Last World Emperor: A Review of Charles V by Dr. Otto von Habsburg

Otto von Habsburg, Charles V,
trans. Michael Ross (London:
Weidenfeld and Nicolson, 1970)

Reprinted from The War for Christendom ~ Center for Legitimist Documentation

By Matthew Scarince

B
orn on the eve of the cultural and political upheaval of the sixteenth century, Charles V inherited a vast and wide-reigning authority as King of Spain and Holy Roman Emperor that few men in history have ever rivaled. Dr. Otto von Habsburg, a descendant of Charles and heir of the last Habsburg emperor, prefaces his renowned ancestor’s 1967 biography by stating “later centuries were incapable of grasping Charles V’s conception of the world.” Nevertheless, Habsburg argues that challenges facing Europe in the present day are similar enough to the cultural revolution of the sixteenth century that “Charles V, once regarded as the last fighter in a rearguard action, is suddenly seen to have a been a forerunner.” Throughout the book he explores the relevance of the deeply Catholic and chivalric vision of Christendom that motivated Charles’ reign. It might seem easy to accuse the author of a favorable bias towards his subject, an accusation from which the book is not entirely immune. However, such an accusation ignores the real awareness of Charles’s vision that Habsburg gains from his concrete understanding of his own familial tradition. Otto von Habsburg’s Charles V offers a brilliant insight into the world and worldview of the history-shaping emperor, yet its lack of primary source citations and heavy reliance on secondary sources render it more of an introduction to its subject, and not, as seems to have been intended, an analytic biography.


The focal point of Habsburg’s Charles V is Charles’ vision as a ruler and how that vision was consistently acted upon in the rapidly changing world of sixteenth-century Europe. Contrary to the political philosophy of Machiavelli prevalent among rulers of that era, Habsburg confidently states that Charles “saw the state, politics, and war through the eyes of a knight, an emperor, and a Christian”. While these ideals seem in some way bound to the Middle Ages and out of place in the modern world, Habsburg maintains that the emperor’s “conception corresponds to the fundamental principles rooted in human nature,” principles which are relevant to any age. Thus, the central argument of the biography is to show how these principles, identified as honor, justice, and devotion to the Catholic faith, were practiced and upheld by Charles throughout his life. More than simply a figure of historical interest, Charles is presented as an exemplar for modern political leaders, especially those seeking a supranational European unity as the solution to the crises of the twentieth century. Continue reading

October 15, 2023

Objects of Devotion: Venerating Our Patrons at the Museum

San Giorgio, ora pro nobis
While I would prefer to see our sacred artifacts in churches, I accept the fact that we live in an increasingly secular world (at least here in the West) and they don’t hold the same meaning or gravitas to the non-religious as they do for us faithful. Viewed as cultural heritage as opposed to their original religious function, they naturally lost their true importance and meaning to the many thousands of awe-struck visitors exploring the museum halls.

I also accept the fact that if these sacred items remained in the churches in their country of origin, we here in the States would rarely get to experience so many types of artwork because most of the world’s ancient and worthwhile works of art are religious.

Ironically, thanks to some modern clerics, religious art is actually treated better in museums than in many of our churches. I could site examples, but suffice to say there is no shortage of iconoclasm and subversion in the post-conciliar church.

Also, let’s be honest, most visitors at the museum have more decorum and respect for the objects than the chatty septuagenarian parishioners at many of the Novus Ordo Masses I’ve attended.

Ever mindful of the people around me, I have no problem quietly praying while contemplating these sacred images. As a person of faith, how can you view these masterful works depicting our glorious patrons and not say a prayer? As far as I’m concerned, just because they are no longer in their original settings doesn’t mean they lost their devotional purposes.

~ Giovanni di Napoli, October 14th, Feast of St. Callistus I, Pope and Martyr

* The photos were taken in the Metropolitan Museum of Art's Medieval Art galleries between 2019 and my most recent visit in 2023.
Saint George and the Dragon, limewood with paint and gilding,
South German, Swabia, ca. 1460-70
Detail of the Dragon
St. Michael the Archangel, limestone and paint, French, Touraine, ca. 1475
(L) Saint Catherine of Alexandria, alabaster, North Spanish, ca. 1450-1500. (R) Saint George, wood with paint and gilding, Austrian or German, Tyrol, ca. 1480
(L) Saint Savina of Troyes or Saint Syra, limestone with paint, French, Champagne, Troyes, ca. 1510-20. (R) Saint Augustine, limestone with paint and gilding, French, Burgundy, ca. 1450-75

Salvator Rosa in Halifax, Nova Scotia

Landscape with Two Soldiers and Ruins, c.1650,
oil on canvas, Salvator Rosa (1615-1673)
A friend visiting the Art Gallery of Nova Scotia sent us photos of two landscape paintings by Salvator Rosa (Naples 1615 - Rome 1673) currently on view and part of the museum's permanent collection.

For more on the paintings visit the Art Gallery of Nova Scotia

Rocky Landscape with Figures, c.1650,
oil on canvas, Salvator Rosa (1615-1673)

October 14, 2023

A Look at the 26th Annual Commemoration of the Fallen Soldiers of the Kingdom of the Two Sicilies at the Battle of Volturno in 1860

Photos courtesy of 1° Reggimento Re
Saturday, morning (October 14th) participants gathered in the cemetery of Capua, Caserta, for the solemn wreath-laying ceremony at the tomb of Artillery Major Filippo Ginolfi of the 1st Regiment.
Holy Mass of suffrage for the soldiers of the Kingdom of the Two Sicilies who fell in battle at Volturno on October 1st and 2nd in 1860 was celebrated at the Cattedrale di Maria SS. Assunta in Cielo.

Members of the 1° Reggimento Re and Cavalieri of the Sacro Militare Ordine Costantiniano di San Giorgio (SMOCSG) were in attendance.

Following Mass, guests adjourned to the parish pastoral center for talks by Luigi Castiello, Vice President of Accademia Napoletana di Studi Storici, and Carmela Maria Spadaro, professor at the Università degli Studi Federico II - Napoli. The distinguished speakers discussed "The Religiosity of Francis II and the Battle of Volturno” and "King Francis II from Volturno to Gaeta” respectively.

Thanks to Mirko Speranza of the 1° Reggimento Re for the photos.